While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.
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In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.
Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
Director:
Ingmar Bergman
Stars:
Ingrid Thulin,
Gunnel Lindblom,
Birger Malmsten
Recently released from a mental hospital; Karin rejoins her emotionally disconnected family and their island home, only to slip from reality as she begins to believe she is being visited by God.
Director:
Ingmar Bergman
Stars:
Harriet Andersson,
Gunnar Björnstrand,
Max von Sydow
An innocent yet pampered young virgin and her family's pregnant and jealous servant set out to deliver candles to church, but only one returns from events that transpire in the woods along the way.
Director:
Ingmar Bergman
Stars:
Max von Sydow,
Birgitta Valberg,
Gunnel Lindblom
When a woman dying of cancer in early twentieth-century Sweden is visited by her two sisters, long-repressed feelings between the siblings rise to the surface.
Director:
Ingmar Bergman
Stars:
Harriet Andersson,
Liv Ullmann,
Kari Sylwan
A traveling magician and his assistants are persecuted by authorities in Sweden of the 19th century. Their captures, however, didn't bring victory to those in power.
Director:
Ingmar Bergman
Stars:
Max von Sydow,
Ingrid Thulin,
Gunnar Björnstrand
In Sweden at the turn of the century, members of the upper class and their servants find themselves in a romantic tangle that they try to work out amidst jealousy and heartbreak.
Director:
Ingmar Bergman
Stars:
Ulla Jacobsson,
Eva Dahlbeck,
Harriet Andersson
Don Juan is sent from Hell to Earth with a highly important mission - to seduce a 20-years virgin for spoiling her pure wedding. The mission becomes crazy when Don Juan falls in love for the first time in his centuries-old lover's career.
An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories.Written by
Fredrik Klasson <fredrik.klasson@boras.mail.telia.com>
"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.
Bergman defines "The Hour of the Wolf" as "The time between midnight and dawn when most people die, when sleep is deepest, when nightmares are most palatable. It is the hour when the sleepless are pursued by their sharpest anxieties, when ghosts and demons hold sway. The hour of the wolf is also the hour when most children are born." According to "Films in Review" critic Henry Hart in the U.S. it's about 4 a.m. when the body's resistance is least. See more »
Quotes
Baron von Merkens:
Does our artist not agree?
Johan Borg:
Forgive me. I call myself an artist for lack of a better name. In my creative work there is nothing implicit except compulsion. Through no fault of mine, I've been pointed out as something quite extraordinary, a calf with five legs, a monster. I have never fought to attain that position and I shall not fight to keep it. Megalomania? Yes I've felt it waft about my brow at times, but I think I'm immune . I have only to think of the utter unimportance of art in the world...
[...] See more »
Alternate Versions
There exists an earlier version of the film with an additional, meta-cinematic framing device. In the prologue (lasting about 7 minutes), Bergman is seen on the set directing his actors. The epilogue (lasting about 1 minute) shows us the set being torn down and the crew leaving. These sequences are the only differences to the commonly seen version. Bergman has stated in an interview that he cut off these sequences himself before the general release of the film, as he came to the conclusion that they were just "self-deception". Despite this, a Swedish 35 mm print of the original, longer version does exist, although it's not available on home video in any format. See more »
"Hour of the Wolf" (1968) is one of my favorite Bergman's films. I place it close to "Persona" to which it is a perfect matching piece. This impressive and disturbing movie about the loss of sanity by a tormented artist is another magnificent work of Ingmar Bergman, the closest to the horror genre he ever directed with his regular actors, Max von Sydow who is amazing as Johan and his Muse Liv Ullmann who is equally compelling as Alma, Jonah's wife. The film takes place on an isolated, windy island where Johan and pregnant Alma moved in hope for Johan to work on his paintings and where he is haunted by nightmares from the past that may or may not be just his dreams. They come to torture him during The Hour of the Wolf which Bergman describes as "the hour between night and dawn. It is the hour when most people die, when sleep is deepest, when nightmares are more real. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful. The Hour of the Wolf is also the hour when most children are born."
Bergman has always been obsessed and fascinated by the inner demons that imagination can create and like no other filmmaker has explored the deepest mysteries of human soul and mind.
Surrealistic, Gothic and dark horror film, with its magnificent black and white cinematography provided by Bergman's long time friend and collaborator, Sven Nykvist, "The Hour of the Wolf" is a frightening view of the mind of a mad person.
It's been mentioned in more than one comment and I agree that David Lynch might have seen "Hour of the Wolf" more than once and was influenced by it when working on his own dark and surrealistic "Erazerhead".
9.5/10
33 of 42 people found this review helpful.
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"Hour of the Wolf" (1968) is one of my favorite Bergman's films. I place it close to "Persona" to which it is a perfect matching piece. This impressive and disturbing movie about the loss of sanity by a tormented artist is another magnificent work of Ingmar Bergman, the closest to the horror genre he ever directed with his regular actors, Max von Sydow who is amazing as Johan and his Muse Liv Ullmann who is equally compelling as Alma, Jonah's wife. The film takes place on an isolated, windy island where Johan and pregnant Alma moved in hope for Johan to work on his paintings and where he is haunted by nightmares from the past that may or may not be just his dreams. They come to torture him during The Hour of the Wolf which Bergman describes as "the hour between night and dawn. It is the hour when most people die, when sleep is deepest, when nightmares are more real. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful. The Hour of the Wolf is also the hour when most children are born."
Bergman has always been obsessed and fascinated by the inner demons that imagination can create and like no other filmmaker has explored the deepest mysteries of human soul and mind.
Surrealistic, Gothic and dark horror film, with its magnificent black and white cinematography provided by Bergman's long time friend and collaborator, Sven Nykvist, "The Hour of the Wolf" is a frightening view of the mind of a mad person.
It's been mentioned in more than one comment and I agree that David Lynch might have seen "Hour of the Wolf" more than once and was influenced by it when working on his own dark and surrealistic "Erazerhead".
9.5/10