Police detective Joe Leland investigates the murder of a gay man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs.
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Tony Rome is a Miami based detective who while diving in the ocean finds the body of a young woman. He is hired by Gronsky to find her killer. Tony has to sift through a stack of suspects, plus trying to elude the police.Written by
Sinatra once again plays the Miami based private eye he originated in "Tony Rome" a year earlier. He was pretty effective the first time around, but that one didn't have a script as silly as the one he has to contend with here. Of course, scripts never meant much to Frankie, anyway. If the Chairman of the Board WAS bored, or just tired, he'd rip a few pages out of the script to keep things moving. When the movie was something like "Lady in Cement," it probably didn't matter, anyway. Besides, with a more stunning than ever Raquel Welch in the cast, I mean, who really cares?
Wherever Ol' Blue Eyes went, his entourage of goons and sycophants were sure to follow, and one such unfortunate, Pat Henry, a comedian of little talent, is along for the ride as Frank's buddy. Richard Conte, the fine actor from such interesting film noirs as "The Blue Gardenia" and "Cry of the City," shows up, as he often did in Sinatra films ("Ocean's 11," "Assault on a Queen") and provides the mostly mediocre film with his usual competence. The best performance, however, belongs to TV's "Hoss" (Dan Blocker).
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