A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ...
See full summary »
During the sixteenth century, the Catholic Mary, Queen of Scots engages in over two decades of religious and political conflict with her cousin, the Protestant Queen Elizabeth I of England, amidst political intrigue in her native land.
The story of the marriage of England's King Arthur to Guinevere. The plot of illegitimate Mordred to gain the throne and Guinevere's growing attachment to Sir Lancelot, threaten to topple Arthur and destroy his "round table" of knights.
Axel Freed is a literature professor. He has the gambling vice. When he has lost all of his money, he borrows from his girlfriend, then his mother, and finally some bad guys that chase him. Despite all of this, he cannot stop gambling.
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.Written by
John Vogel <email@example.com>
NBC broadcast the complete roadshow version over two nights twice in the early 1970s. While that broadcast was missing (1) the Intermission music, (2) the lovemaking scene between Redgrave and James Fox, and (3) a snippet of nudity in the "Marche Slav" sequence, much new footage was added. Karel Reisz's 153-minute Director's Cut from 1987 is very close to what was seen on NBC. What is missing are some early establishing scenes of:
The Duncan Family taking a transatlantic cattleboat to Europe in dreadful weather.
The Duncan Family checking into Claridge's Hotel as "The O'Gormans" and sneaking out the next day without paying the bill
-Young Isadora and her brother Raymond improvising dances in autumn leaves in Kensington Garden
-Many of the Jason Robards/Paris Singer sequences were longer and a tad more intricate. The later trimmings tightened things up a bit.
-One additional dance performance sequence
The Roadshow's intermission came after Isadora reveals the circumstances involving the death of her children, coming at the 2-hour mark. Russia and her death in Nice followed the Intermission and made up the film's last hour.
Generally, the roadshow version differs from the Director's Cut in the overall rhythmic feel of the film. The Riviera/Nice sequences were more of the film's "spine" and the hallucinations of Isadora's children and their funerals begin as a mystery. They intersect more frequently, only very gradually revealing themselves to the viewer. By the time Isadora sits down to document her loss in the harrowing centerpiece, the audience has begun to put the puzzle pieces together. See more »
There are several versions of this film. The original is rather long, but well worth the time spent viewing it. The subsequent edited versions -- even the so-called "director's cut" -- omit small but crucial events in Isadora's life, without which it becomes more difficult to understand how Isadora sublimated her angst into her art.
14 of 18 people found this review helpful.
Was this review helpful to you?
| Report this