Addresses some of the major 60s social issues - a bored rich London-girl from Chelsea decides to go "slumming" in depressed Battersea, getting a flat and starts factory-work and makes friends... of which one has to get an illegal abortion.
Harriet Blossom, the lonely wife of a workaholic brassiere manufacturer, breaks her sewing machine and ends up in bed with the repairman, a mechanic from one of her husband's factories. The... See full summary »
A wealthy cosmetic tycoon and her 12-year-old daughter who's dying from leukemia, strike up a sentimental friendship with a California politician. Since the girl has only six weeks or less ... See full summary »
Mary Tyler Moore,
After one schoolgirl is raped while taking a short cut through the local woods, and another is murdered in the same woods a few days later, the local police are baffled. With the help of a ... See full summary »
Christian (Robert Hoffman) and his girlfriend are taking a walk on a deserted beach when they discover a woman's body lying. A closer look proves that she's alive. The next day Christian ... See full summary »
Rupert Street, a piano player and composer, decides to write a musical and marry before he reaches his thirtieth birthday. One minor problem: he'll be 30 in six weeks...Written by
Homme A. Piest <firstname.lastname@example.org>
Like Joseph McGrath's previous film, "The Bliss Of Mrs. Blossom", this comedy had a hard time getting released in its own country. Its American opening had been well over six months in advance of its British one, and the film had been completed over a year before that, as is indicated by the presence of Duncan Macrrae, who had died in March of 1967. See more »
"30 Is a Dangerous Age, Cynthia" could never be lumped in with Richard Lester's irreverent (i.e., disrespectful) comedies of the 1960s, nor the Monty Python movies which came into vogue a few years later. It's too enamored with American nostalgia...and is too eager-to-please to make its mark as a swinging comedy with an edge (such as 1967's "Bedazzled"). Dudley Moore plays 29-year-old British composer who hopes to be married by his 30th birthday (the age when a man is supposed to have his life together); he has his eye on a pretty lodger (named Louise!), but is also consumed by work while writing his first theatrical musical. Moore, who also co-wrote the screenplay with director Joseph McGrath and John Wells, seems to be having a high time here, though he relies too often on exaggerated facial expressions for laughs. McGrath eschews the popular mod trappings of the day for a more old-fashioned visual approach, including Walter Mitty-like daydreams, which is fine for the first three-quarters of an hour; after that, the gags get pushy and desperate, while the Bogart-spoof late in the proceedings is a complete miscalculation. Some spirit and style on a minor scale, and the score (also by Moore) is excellent. ** from ****
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