In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Indian wife, and a housewife abandons her husband in order to rejoin her Apache lover's tribe.
Marshal Wyatt Earp kills a couple of men of the Clanton gang in a fight. In revenge, Clanton's thugs kill the Marshal's brother. Thus, Wyatt starts to chase the killers together with his friend Doc Holliday.
Lieutenant McAllister is ordered to transport several ammunition wagons to another fort through Apache territory with only a small troop of rookie soldiers to guard them. Along for the ride is ex-scout Jess Remsberg who is trying to track down Ellen Grange, who, having recently been freed from Apache captivity, has mysteriously run off again to rejoin them. Remsberg frees Ellen again and leaves her with the embattled soldiers as he rides off to the fort, not only for help, but to find the man who killed and scalped his Indian wife.Written by
Doug Sederberg <email@example.com>
This was the first theatrical feature film credit as a Director of Photography for Charles F. Wheeler. See more »
Approximately 8 minutes into the film, as Sidney Poitier is riding the bucking bronco, a still photographer dressed as a soldier can be seen perched on the canyon wall, taking photos. See more »
YOU KEEP YOUR MOUTH SHUT OR I'LL - -
[Grange moves toward Toller with his rifle in his hand. Toller disarms him and kicks both into the dirt]
You were saying?
Pick it up!
Be careful Grange.
I told you to pick it up!
You've got another one in your hostler use that one or backwater.
See more »
The United Artists logo is sliced off the screen with a bloody Calvary Saber, slicing an "X" across the screen, revealing the opening scene. At the end, the same saber slices the live picture away, as (sort of) a fade out. See more »
What makes this film interesting albeit unconventional are various themes that swirl beneath the main story line. Made at the time when the Civil Rights movement was in full swing, the film subtly touches on issues that were important during the 60s (e.g. racial tolerance, treatment of women and minorities). The film also has a brutal hard edge to it when it comes to the violence, death and the mayhem that takes throughout. The score gives a sense of desperation and inevitability which enhances its hard edge. Unlike many films of the genre, there is no clear cut protagonist or antagonist. The characters are realistic and more than mere two-dimensional cartoon characters for which the viewer could identify with. Overall, it is a thought provoking film that deserves a look in.
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