The murder of a Soviet defector forces his old handler, British spymaster George Smiley, out of retirement. His investigation leads to an old nemesis, the Soviet spymaster known only as Karla. This will be their final dance.
This is the story of Magnus Pym, from his childhood to the end of his career in middle age. As a young man, there is little doubt that his father Rick was the most influential character in ... See full summary »
Taken from the book by John le Carré, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junior master's wife at... See full summary »
Alec Leamas (Richard Burton), a British spy, is sent to East Germany, supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story.Written by
John Vogel <firstname.lastname@example.org>
In his defense speech of Mundt, the East German defense attorney (played by George Voskovec) states "Smiley was indeed Leamas's friend. He was also a planner in the section called Satellites Four, which operates behind the Iron Curtain." The term "Iron Curtain" would not have been used by officials of East Germany or other Soviet bloc countries to refer to the east-west divide. Originally created by Winston Churchill, the phrase "behind the Iron Curtain" became a disparaging characterization of the east bloc countries and their socialist systems. It was seen as serving to keep people in and information out, and people mostly throughout the West used the metaphor in that context. See more »
All right, I'll tell you. I'll tell you what you were never, never to know. Mundt is London's man. He's their agent. They bought him while he was in England. We're witnessing the lousy end to a filthy, lousy operation to save Mundt's skin... to save him from a clever little Jew in Mundt's own department who had begun to suspect the truth. London made us kill him, kill the Jew. Now you know. God help us both.
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Richard Burton was nominated, but he was not an Oskar Werner.9/10.
The Spy Who Came In From The Cold. 9/10.
For those of you who haven't seen this movie and are looking for a review, well .. This is a movie I had to watch twice. The first time I saw it, many years ago; I didn't like it at all. It was on broadcast television and it was live, no tape, no tivo, just straight through. I couldn't make out what the big deal was about this film. I had some difficulty understanding the dialog and I also had some trouble in putting names with faces. I was more than a little bit frustrated with not having enjoyed it when so many others had.
Cut to ten years and one tivo later.
I love this movie.
This is a movie that will stay with you long after the credits have finished. If after one viewing you feel that you didn't like the movie, don't abandon it quite yet. I realize it's not the kind of movie you'll want to watch back to back, especially if you didn't like it the first time, but take some time away from it and then watch it again. I believe after a couple of viewings you'll really start pick up on a lot of nuance around the characters. And you'll start to understand the dialog better; at least this is how it has played out for me.
For those who have seen this movie, and are looking for a review to see what others may have picked up on ..check out the IMDb review from Richard Tunnah or burgbob975. I liked their reviews for this movie the best.
I don't feel I can add too much more to this review that others haven't already written, other than just pointing out the performances from Richard Burton, Claire Bloom, Cyril Cusack and Oskar Werner as being absolutely magnificent. I especially liked Oskar Werner.
My Favorite scene from the film happens towards the end when Leamas and Nan Perry are driving to meet up in a rendezvous with a person who is to help them escape the occupied territory. While in the car Leamas spills out to Perry all of his pent up venom for his profession and self-loathing. He describes his profession as people who are just a lot of "drunkards, queers and hen-pecked husbands" who protect the "moronic masses". It's the one scene where you feel a genuine release from the tension that has built up through the movie.
Unlike Alec Leamas, you won't be on the fence for this one. You'll either hate it or you'll love it. After two viewings, I've come back to loving it. 9/10.
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