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Eva (1962)

Not Rated | | Drama, Romance | 3 October 1962 (France)
A raw Welsh novelist in Venice is humiliated by a money-loving Frenchwoman who erotically ensnares him.

Director:

Joseph Losey

Writers:

James Hadley Chase (novel), Hugo Butler (adaptation) | 1 more credit »
Reviews
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Jeanne Moreau ... Eve Olivier
Stanley Baker ... Tyvian Jones
Virna Lisi ... Francesca Ferrara
James Villiers ... Alan McCormick - a screenwriter
Riccardo Garrone ... Michele - a player
Lisa Gastoni ... The red-headed Russian
Checco Rissone Checco Rissone ... Pieri
Enzo Fiermonte ... Enzo
Nona Medici Nona Medici ... Anna Maria
Roberto Paoletti Roberto Paoletti
Alexis Revidis Alexis Revidis ... The Greek (as Alex Revidis)
Evi Rigano Evi Rigano ... (as Evy Rigano)
John R. Pepper John R. Pepper ... The little boy (as John Pepper)
Van Eicken Van Eicken
Peggy Guggenheim Peggy Guggenheim ... Baccarat-player at casino
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Storyline

From back-breaking labour in the coal mines, Tyvian Jones, a masculine and crude man from Wales, finds himself among the artistic and glamorous people at the Venice Film Festival, cashing out his very first novel's big success, "L'Étranger en Enter". Tyvian is also engaged to the charming and frail Francesca; however, when she has to fly to Rome, he will return to his cottage in Torcello, only to find there the blonde and seductively mysterious Eva occupying his place. Until now, no woman had such an effect on Tyvian, as Eva's dangerously feminine physique soaked from the night's heavy downpour, will instantly taunt, tempt, and seduce his arrogant ego beyond reason. Sooner or later, Tyvian will accept the fact that he stands powerless before this heartless modern Circe, but in the meantime, what will become of innocent Francesca who is now trapped in the middle? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

They called her the 8th deadly sin! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

English | Italian

Release Date:

3 October 1962 (France) See more »

Also Known As:

Eva See more »

Filming Locations:

Venice, Veneto, Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Originally, this subject was offered by the Hakim brothers, who produced it, to Jean-Luc Godard to direct. Godard was anxious to sign Richard Burton for the leading role, but failed and then dropped out of the project. The Hakims instead obtained the services of another Welsh actor, Stanley Baker, who insisted on them hiring his friend Joseph Losey to direct. See more »

Quotes

Tyvian Jones: What do you like most? More than anything else.
Eve Olivier: Money.
Tyvian Jones: To do what?
Eve Olivier: To buy records.
Tyvian Jones: And what do you dislike the most? Apart from the men.
Eve Olivier: Apart from men? The old women!
See more »

Soundtracks

Willow Weep For Me
by Billie Holiday
Disque Verve
See more »

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User Reviews

 
Splendid Combination of Genres
19 October 2000 | by tonstant viewerSee all my reviews

"Eva" is based on a novel by James Hadley Chase, the British writer of American "tough-guy" novels. Director Joseph Losey overlays a cryptic story of alienation and obsession, and the beautiful photography makes the life of the film seem simultaneously glamorous and lonely.

But inside this modish story of a not-very-admirable man and the evil woman he falls in love with is a rollicking old noir screaming to be let out, with Robert Mitchum and Jane Greer as the femme fatale.

Contemporary Hollywood-style, one-thought-at-a-time storytelling is conspicuously absent here. The audience has to work to connect the dots in this film - there's no directorial hand on the back of your neck, turning your head to look at this road sign, then that, then the other. A requirement of active audience effort was once taken for granted, but is now much more rare and may be an unfamiliar experience for some viewers.

Jeanne Moreau is compulsively watchable (as always) as a woman who thinks, but we rarely know about what. The improbably handsome Stanley Baker has the time of his life acting for once, rather than punching someone's chin every twelve minutes, as in most of his films. Virna Lisi has dignity and consequence as the good girl whose love is never valued enough.

The underlying story of the film is a classic fantasy of male self-justification - man chases the wrong woman, one who treats all men badly because she can. The man lets himself be led around by his privates, he thinks with the wrong part of his body, and then he blames the hash he makes of things on the "evil" woman (see Adam's explanation to God in the Garden of Eden story). Another predessor of the film is Hogarth's The Rake's Progress.

Who the other characters are and what their motivations might be are minor questions - they are peripheral figures who only serve to focus the film on the central issues of male weakness and female inscrutability. The eternal question, "What do women want?", is enough to destroy the unstable male protagonist, and we watch him unravel in the beautifully photographed surroundings of Venice and Rome. The admirable letterbox transfer looks particularly seductive on a big-screen TV.

If you ever wondered what a film might look like that combined "The Blue Angel," "L'Avventura" and "Out of the Past," this is about as close as you'll get. Recommended to all except the most passive viewers.


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