Chark, an adventurer comes to small village in the near of a gold digger's camp. He is arrested by the local police, who accuse him of having comitted a bank robbery in a neighoured town. ... See full summary »
The wife of a physician who diligently cares for the poor, grows weary of their dull South France factory town and pressures her older husband to move to glorious Nice, on the Mediterranean... See full summary »
Celestine, the chambermaid, has new job on the country. The Monteils, who she works for are a group of strange people. The wife is frigid, her husband is always hunting (both animals and women) and her father is a shoe-fetishist. Joseph, the farm-labourer is a fascist and sexually attracted to Celestine. Celestine settles herself and talks to the neighbour, an ex-officer, who likes damaging his neighbour's things. After the death of the old man, she quits her job, but because of the rape and murder of a child 'Little Claire' she decides to stay, believing that Joseph is the murderer. To get his confession she sleeps with him and promises to marry him. In spite of her engagement she fakes evidence to implicate him in the murder. He is arrested, but is released because the evidence is inconclusive. She marries the ex-officer and takes on a housewife role similar to that of Madame Monteil.Written by
Stephan Eichenberg <email@example.com>
The protest at the end of the film, is based on a real protest which took place in 1934. The Far-right leagues (Ligues d'extrême droite) were protesting about the removal of Jean Chiappe from his position as Prefect of Police by Édouard Daladier, president of the Conseil (Council), France's governing body. See more »
Celestine tries to read a book that M. Rabour has open on his desk as she serves him coffee. The front shot shows the book close to the tray and his left hand on the book keeping his page open. The next shot, from Celestine's side, shows the book further away from the tray and it is being kept open by a a rubber stamp. See more »
Finally a Bunuel film I can make sense of! Oh, nevermind.
This is the most straight-forward film I've seen by the surrealist master Bunuel, and despite its cryptic turn in the final moments, is funny, chilling, and a bit nasty. The story follows an urbane chambermaid from Paris who comes to work at the country estate of a repressed bourgeosie family. She weathers passes from every man in sight and deflects them, but for morally ambiguous reasons. Moral ambiguity is rampant, as it is so often in Bunuel's films, and spread liberally amongst all classes. It's subtly a film about selling out, except that nobody seemed to have any principles to begin with. Good fun. Now tell me what the ending was all about.
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