An American missionary and his wife travel to the exotic island kingdom of Hawaii, intent on converting the natives. But the clash between the two cultures is too great and instead of understanding there comes tragedy.
George Roy Hill
Max von Sydow,
At her father's funeral, Ann Chapin thinks back over the last five years of his life, years of apparent political and personal failure dominated by a selfish and dissatisfied wife and eased... See full summary »
George Peppard plays a hard-driven industrialist more than a little reminiscent of Howard Hughes. While he builds airplanes, directs movies and breaks hearts, his friends and lovers try to reach his human side, and find that it's an uphill battle. The film's title is a metaphor for self-promoting tycoons who perform quick financial takeovers, impose dictatorial controls for short-term profits, then move on to greener pastures.Written by
Jeanne Baker <firstname.lastname@example.org>
Filmed in 35mm, this was one of the first films to be blown up to 70mm for its premiere screening. See more »
When Jonas and Monica are touring the house, they walk into the master bedroom and she says, "adult playroom". Then the walk into the guest room supposedly, but you can tell it is the same door from a different angle, as the three thermostats are on the same side. See more »
If you don't know who Alan Ladd is, then disregard the rest of this review.
Without Ladd, this is a fun, early 60s splashy scandalous colorful morality tale with pricey production values.
With Ladd, it's a study of old hollywood historical roman a clefs surrounding Howard Hughes and the early days of moving pictures. Ladd, a hollywood legend who the fans loved, but who critics usually dismissed, and whose star had faded to a dim glow by now, plays a role he's too old for, but works it beyond his historical acting abilities, and gives this big hit of its time the only soul it has.
This movie is doubly good if you love movies and know a bit about hollywood history.
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