An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
When the daughter of Simon Crawford, a successful barrister, is killed in what seems to be a hit and run accident, and the police are unable to find the culprit, Crawford swears that he ... See full summary »
In 1930s, a psychotic drifter who's after the mystery woman who covered his whole body in illustrations that foresee distant future shows three of them (The Veldt, The Long Rain and The Last Night of the World) to a mesmerized traveler.
While on a fishing trip, Harry Baldwin (Ray Milland) and his family hear an immense explosion and realise the awful truth; Los Angeles has been leveled by a nuclear attack. Mayhem and madness are everywhere. Escaping to the hills with his family, he sets about the business of surviving in a world where, he knows, the old ideals of humanity will be its first casualties. Not one to give up, Harry doors things to make sure his family has a chance at surviving.Written by
Re-released in 1965 as "The End of the World" but only appeared as such in a few theaters, mostly in the Los Angeles area (Source: The American Film Institute Catalog of Motion Pictures). Was released under the original title thereafter. See more »
One of the three would-be thieves is shot from the trailer window and is wounded in the shoulder. The long gun poking out the window and carried after the shooting by Frankie Avalon is a shotgun, but the sound of it firing is a rifle shot and only a single bullet hits the bad guy in the shoulder. A shotgun as shown would have blasted away most of his shoulder at that range. See more »
SURPRISINGLY EFFECTIVE...AND FRANKIE AVALON CAN ACT!
Los Angeles family vacation is interrupted by nuclear war. Now they must escape into the mountains to avoid the radiation, the panic, and the rapists.
Despite the insipid nuclear holocaust effects (looks more like a thunderstorm), this is a surprisingly effective movie. Milland elicits effective performances from each and every member of his cast (Frankie Avalon has never been better). The menace, humiliation and sheer terror of rape has never been more poignantly depicted on the screen, and all without nudity. A minor classic.
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