Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
An ex-husband and wife team star in a musical version of 'The Taming of the Shrew'; off-stage, the production is troublesome with ex-lovers' quarrels and a gangster looking for some money owed to them.
It's the early twentieth century American Midwest. A con man currently going by the assumed name Harold Hill has used several different schemes to bilk the unsuspecting, and now travels from town to town pretending to be a professor of music - from Gary (Indiana) Conservatory of Music, class of '05 - who solves all the respective towns' youth problems by forming boys' marching bands. He takes money from the townsfolk to buy instruments, music, instructional materials, and uniforms for their sons. However, in reality he has no degree and knows nothing about music, and after all the materials arrive and are distributed, he absconds with all the money, never to be seen again. Many of the traveling salesmen in the territory have been negatively impacted by him, as the townsfolk then become suspicious of any stranger trying to sell them something. For Harold's scheme to work, he must gain the trust of the local music teacher, usually by wooing her, regardless of her appearance. And if the ...Written by
In the original Broadway cast recording, there was a verse in the song "Rock Island" that goes, "Why it's the Uneeda biscuit made the trouble, Uneeda, Uneeda, put the crackers in a package, in a package, the Uneeda biscuit in an airtight sanitary package, made the cracker barrel obsolete!". This verse was omitted from the film version of the song. The Uneeda Biscuit was a revolutionary cracker that promised to be airier, flakier, and crisper than most other crackers. The cracker was kept fresh in a brand new concept of resealable packaging. Uneeda Biscuit was developed by the National Biscuit Company, nowadays known as Nabisco. See more »
During the lively dance at the library, Marian backs up into Prof. Hill's leg twice. See more »
[On Marion's choosiness when it comes to men]
It's a well-known principle that if you keep the flint in one drawer and the steel in the other, you'll never strike much of a fire.
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The closing credits appear in the style of a Broadway show's curtain call. First the minor characters are shown with the performers' names. The credits then progress through the cast ending with the lead. See more »
I first saw "The Music Man" on its first run in 1962. I just saw it again last night on cable. If anything, I enjoyed it more last night. I think that your belief in "fairy tales" such as this only grows with the passing of the years. Preston's performance is so near-perfect that the viewer starts to believe his line of corn-fed BS. The knowledge of what Ron Howard has become enhances the enjoyment of his fine work here. It's funny, magical and a musical treat to the ears!!
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