Paul Varjak - a young wannabe writer and the kept young man of an older woman - Emily Eustace Failenson ays(aka '2E') - and meets Holly Golightly; a flighty Manhattan party girl, who's his neighbour in the brownstone she's set him up in. As Paul find out more about Holly, he begins to feel something for her, and she- always on the make - tries to be the insouciant waif.Written by
Director Blake Edwards was lunching with Mickey Rooney at a posh Hollywood restaurant when Rooney objected to how his salad was being tossed by the waiter and proceeded to show the 'proper' way to do it. Edwards thought Rooney's attention-getting routine so funny that he wrote it into the movie. See more »
Holly's cigarette changes position and her face changes expression between shots while watching the stripper. See more »
Even now 57 years after its original release, Breakfast At Tiffany's remains a charming love story between two hustlers of sorts. Audrey Hepburn is not the Holy Golightly that Truman Capote intended, she couldn't be but she was Audrey Hepburn in all of her 1961 glory. Amazing how it still works that Audrey Hepbun touch. George Peppard is gorgeous but impenetrable. Mickey Rooney, unforgivable. Henry Mancini, opportune but. strangely enough the character that fascinated me the most in my latest viewing is Patricia Neal. I would love to see a full movie about that woman. She exudes sensuality and smartness. Blake Edwards concocts a lighter fare from Capote's book and as it happens, it's still very much alive and surprisingly relevant.
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