Chronicles the breakout of the Bismarck during the early days of World War II. Seen from the point of view of the many Naval vessels on both sides and from the central headquarters of the British where the search for the super battleship was controlled.Written by
John Vogel <firstname.lastname@example.org>
According to Special Effects Cinematographer L.B. Abbott, the miniatures were photographed with spherical (non-anamorphic) lenses. This made it easier to force the perspective of the image to make the miniatures appear bigger and further apart. The conversion of the spherical footage to CinemaScope required the use of an optical printer with an anamorphic lens. This method of shooting with spherical lenses, yet converting the footage to anamorphic, is now commonly used, and is called "Super 35". See more »
When the Norwegian spy spots Bismarck exiting the Baltic Sea, Bismarck is heading in the wrong direction. When viewed from Southern Norway, Bismarck should be headed east to west (left to right on screen), but the scene shows Bismarck heading right to left (west to east). See more »
'Getting emotional about things is a peacetime luxury!'
Kenneth More plays the severe cold and uncompromising Captain Jonathan Shepard who has lost his wife in an air raid, and whose son is a naval pilot in the warfare against the Bismarck...
'Bismarck' is a super German battleship of World War II that had a short, but spectacular career...
Captain Shepard guides the distinguished campaign from the Admiralty War headquarters in London: The search, the course, the deploy and the destruction of the Bismarck under an archetype that said: 'Getting emotional about things is a peacetime luxury.'
The Bismarck's admiral (Karel Stepanek) is a Nazi officer characterized by emotional instability, presumptuous and overenthusiastic...
Sighted and bombarded by British battleships, the Bismarck is incapacitated and sunk by torpedoes on the morning of May 27, 1941.
Dana Wynter is the likable attractive lady naval officer, fitting in mood and attitude...
In the climax of the film and after the naval epic, Michael Hordern, the Commander-in-Chief of the Home Fleet, turns to his men and says: 'Let's go home, gentlemen!'
This exciting sea battle would have been better on a standard screen than in CinemaScope, as its ships were clearly 'models' using newsreels footage... Nevertheless, the film is an entertaining hunt, with good acting.
Beside the search and eventual sinking of the Bismarck, I would like to mention, that the personal drama of the British sailors increase the intensity of the picture's realism...
32 of 44 people found this review helpful.
Was this review helpful to you?
| Report this