When the clumsy Seymour Krelboyne spoils two flowers of a client, the owner of a small florist shop Gravis Mushnick is ready to fire him. However Seymour tells that he has mixed two plants of different breeds at home and created a hybrid named Audrey Jr. and Mushnick decides to give another chance to his employee. On the next day, Seymour brings Audrey Jr. that becomes the pride and joy of Mushnick, his other employee Audrey Fulquard and clients. Out of the blue, the flower seems to be dying and Seymour accidentally learns that she likes blood. One day, Seymour is upset since he does not know how to feed the flower and he walks along a railroad. When he throws a stone near a railroad track, he accidentally hits the head of a man that falls on the track and is a train runs over him. Seymour brings the pieces of the man to the shop and finds that the plant likes flesh. On the next morning, Audrey Jr. has grown and become the attraction of the shop. But how will Seymour feed his plant ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Howard R. Cohen learned from Charles B. Griffith that when the film was being edited, "there was a point where two scenes would not cut together. It was just a visual jolt, and it didn't work. And they needed something to bridge that moment. They found in the editing room a nice shot of the moon, and they cut it in, and it worked. Twenty years go by. I'm at the studio one day. Chuck comes running up to me, says, 'You've got to see this!' It was a magazine article--eight pages on the symbolism of the moon in Little Shop of Horrors." See more »
Frank walks into Detective Fink's office, sits down and lights a cigarette. The cigarette remains in his mouth until a close-up shot, where it is missing. When the wide shot is resumed, the cigarette is back again. See more »
Sgt. Joe Fink:
[voiceover over a panning shot of a drawing of a sleazy neighbourhood]
My name is Sergeant Joe Fink, working the 24-hour shift out of homicide. And this is my workshop. The part of town that everybody knows about, but that nobody wants to see - where the tragedies are deeper, the ecstasy's wilder and the crime rate consistently higher than anywhere else. Skid Row... my beat.
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The film was colorized twice. The first colorized version of the film was authorized by Roger Corman in 1987. This version featured several continuity errors, including the color of Audrey's costume changing several times in the same scene. Although it was poorly received, this version carried over to the 2006 Corman-authorized DVD released by Buena Vista Home Entertainment (which featured no black and white version of the film). The second colorized version of the film was produced by Legend Films in 2006, and was better-received. The Legend Films edition is the only DVD release of the film to offer both black and white and colorized versions of the film. See more »
'The Little Shop Of Horrors' is one of the movies that Roger Corman's reputation as the "king of the quickies" is founded on. Filmed in two days on a budget less than Spielberg's dinner money, this is one of the all-time b-grade camp classics. While the humour is extremely dated the concept is very black and contemporary. Charles B. Griffith probably deserves as much credit for this movie as Corman. Writing this, 'A Bucket Of Blood', 'The Wild Angels' and 'Death Race 2000' has ensured him movie immortality! Corman semi-regular Jonathan Haze may not be as fondly remembered as Dick Miller, but he is well cast as the klutzy Seymour Krelboyne, "father" of the blood thirsty exotic plant Audrey, and Mel Welles hams it up as his tyrannical boss Mushnick. But the show is stolen by Miller as a flower eating hipster, and an astonishingly fresh faced Jack Nicholson as a masochistic dental patient (a classic bit!), as much as Audrey herself. Forget the crappy 80s musical version, stick with this, the real deal. It is pretty creaky in places but still a lot of fun!
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