After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.Written by
Jean-Marc Rocher and Nina <email@example.com><firstname.lastname@example.org>
Early in the film, Winthrop leans with his hand on the banister, and the banister swings out precariously, nearly sending him to the floor below. When he pulls the banister back into place, he examines what appears to be sawdust on the top of it, in a very thick layer and showing no signs of disturbance from the near-fall or from his hand. See more »
And the deep and dark tarn closed silently over the fragments of the House of Usher - Poe.
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A new version premiered on August 6, 2010 at the Prospect Park Bandshell in Brooklyn, New York, with a live score by Marco Benevento commissioned by BRIC / Arts / Media / Bklyn. This version, presented on DVD, featured numerous psychedelic overlays and superimposed and inserted flash-forwards, including an early appearance of the famous blood-covered hands shot and other moments from the climax earlier in the film. See more »
One of the best Poe/Price films, with one of Price's best performances
Overtime the horror genre has really grown on me, and Vincent Price, one of my favourite actors has been a big part of why. The Fall of the House of Usher was the film that spawned a series of Edgar Allan Poe adaptations, and is up there with the best of them like The Pit and the Pendulum and The Raven. Whether it is completely faithful to Poe's writing I am not entirely sure, whatever way it makes little difference to me. All that matters for a film is how good it is on its own merits, and The Fall of The House of Usher in my mind is more than good, it's great. The settings, costumes and the way the film are shot is both Gothic and gorgeous to look at in their lavishness, and the music is suitably spooky. The script is very literate and quite intelligent, while the story is always compelling and delivers its spooky scares with not an ounce of predictability or hamminess. The ending really convinces in its creepiness and in its tragic undercurrent, making it moving as well. The acting is fine, Mark Damon gets better throughout the film and by the end he really comes to life but to start with I did find him a little too wooden for my tastes. Myrna Fahey and Harry Ellerbe characterise splendidly, but the film belongs to Roger Corman's lively direction and especially to Vincent Price, who is always great but gives one of his best ever performances here, with his ever commanding presence, his distinctive voice, Skakespearean-like line delivery, droll sense of humour and a sense of melancholy, every single of those are here and make for one memorable performance indeed. In conclusion, a great film worth seeing for Price alone though the production values, the atmosphere and how intelligently it's written also are fine attributes. 9/10 Bethany Cox
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