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The Entertainer (1960)

Not Rated | | Drama | 2 December 1960 (Denmark)
Archie Rice, an old-time British music hall performer sinking into final defeat, schemes to stay in show business.

Director:

Tony Richardson

Writers:

John Osborne (adapted from the play by), John Osborne (screenplay) | 1 more credit »
Reviews
Nominated for 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Laurence Olivier ... Archie Rice (as Lawrence Olivier)
Brenda de Banzie ... Phoebe Rice (as Brenda De Banzie)
Roger Livesey ... Billy Rice
Joan Plowright ... Jean Rice
Alan Bates ... Frank Rice
Daniel Massey ... Graham
Albert Finney ... Mick Rice
Shirley Anne Field ... Tina Lapford (as Shirley Ann Field)
Thora Hird ... Ada Lapford
Miriam Karlin ... Soubrette
Geoffrey Toone ... Harold Hubbard
MacDonald Hobley MacDonald Hobley ... McDonald Hobley (as McDonald Hobley)
Anthony Oliver Anthony Oliver ... Interviewer
Max Bacon Max Bacon ... Charlie Klein
George Doonan George Doonan ... Eddie Trimmer
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Storyline

On the far side of middle age, Archie Rice lives in a British seaside resort with his father, retired successful vaudevillian Billy Rice, second wife Phoebe Rice, and doting son Frank Rice. Following in retired Billy's footsteps, Archie is a song-and-dance music hall headliner, with Frank supporting his dad as his shows' stage manager. The waning popularity of Archie's type of shows, a dying form of entertainment, is not helped by Archie's stale second rate material, which brings in small unappreciative crowds. Archie clings to his long held lifestyle, including heavy drinking and chronic infidelity, of which Phoebe is aware. What Archie has not told his offspring is that Phoebe was his mistress while he was still married to their now deceased mother. His want to be a music hall headliner is despite his financial problems, he an undischarged bankrupt who now signs Phoebe's name to everything. Phoebe wants them to escape this life to something more stable, such as the offer from her ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

As the applause grew fainter ... As the spotlight grew dimmer ... His women were younger! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

2 December 1960 (Denmark) See more »

Also Known As:

Tribunehelten See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (TCM print)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

John Osborne wrote his play "The Entertainer" specifically at the request of Sir Laurence Olivier, who wanted the "Angry Young Man" of the British theater to create a vehicle for him, one of the figures of the British Establishment, against whom Osborne was rebelling. Olivier hoped that appearing in the Osborne play would make him relevant to a new generation of theatergoers. It proved to be one of Olivier's greatest stage successes (the Colonial Theatre in Boston, Massachusetts, has a plaque on the outside wall commemorating Olivier's appearance there during the U.S. tour of the play), while this movie won him the sixth of his ten acting Academy Award nominations. His performance as Archie Rice, as well as his marriage to his young co-star Dame Joan Plowright, one of the leading actresses of the new wave of British thespians, did keep Olivier contemporary with the new leaders of the British theater. Conversely, his generational contemporaries, including Sir John Gielgud, Sir Ralph Richardson, and playwright Terence Rattigan, started to seem stout and old-fashioned, as they failed to keep up with the theatrical evolution (Gielgud countered with the role of Julian in Edward Albee's obscure "Tiny Alice" on Broadway in 1962, but outside of the classical repertoire, he and Richardson did not recover their cachet as actors in contemporary plays until the mid 1970s, in Harold Pinter's "No Man's Land".) Olivier helped shepherd the new generation of actors, actresses, directors, and playwrights as the head of the National Theatre in the 1960s and early 1970s. See more »

Quotes

Archie Rice: Old Archie isn't going to get his oats after all.
See more »

Connections

Featured in The Great Canadian Supercut (2017) See more »

Soundtracks

Thank God I'm Normal
(uncredited)
Music by John Addison
Lyrics by John Osborne
Performed by Laurence Olivier
See more »

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User Reviews

Nuns, clergymen, and dogs
8 February 2007 | by blanche-2See all my reviews

Laurence Olivier is "The Entertainer," in a 1960 film based on the John Osborne play in which Olivier played one of his greatest roles, Archie Rice. He's surrounded by Joan Plowright as Archie's daughter Jean, and Brenda de Banzie as his emotionally fragile second wife, Phoebe. Olivier, Plowwright and de Banzie all repeat their stage roles, and it was while in the play that Olivier and Plowright met, fell in love, married, and stayed together until his death. Albert Finney is Mick and Alan Bates is Frank, Archie's sons, and Roger Livesey is Billy Rice, Archie's father and a beloved, well remembered music hall performer. Daniel Massey plays the role of Graham. It's an auspicious cast of veterans and newcomers.

Archie has followed in his father's footsteps with a lot less success. He's a second-rate entertainer - and that's being kind - in a seaside resort - and his show is in trouble. Archie's in trouble, too, as he's an undischarged bankruptcy and everything is in his wife's name. He's a fairly overt womanizer, which makes his wife a wreck. She's afraid of dying alone and wants the family to move to Canada and join a successful relative in the hotel business. But Archie won't give up following every dream in spite of some harsh realities. He takes up with a 20-year-old second prize beauty contestant - her father's rich and can back his new show.

As I read through the reviews on IMDb, I have to wonder where some people's hearts are. That's not a comment on the people, believe me, rather on the world we live in. I can tell you this - if you think what Olivier does isn't special and can't understand why he was nominated for an Oscar, if you can't see that he is Everyman, if you can't see the comment on Britain in general - you just haven't lived enough yet. You'll see this film again one day and it'll hurt, believe me. There can't be anyone my age, especially with ambition and a creative mind, who can't understand what Archie Rice is going through. Though he's in no way a sympathetic character, one can empathize with his life and begrudgingly admire the fact that he refuses to take the easy way out.

Jean, since she doesn't live full time with this bad road company version of "Long Day's Journey Into Night" - i.e., her family - is sympathetic to both Phoebe's hysteria and her father's delusions. The scene over the cake - one of the reviewers on the board found it disturbingly realistic - there's someone who knows dysfunction when he sees it. A brilliant scene, but nothing beats Archie's monologue to his daughter when he asks her to look at his eyes. "I'm dead," he says.

Olivier has said this is his favorite character as it contains so much of him. It's obvious from interviews with Olivier that it does. Like many highly successful people, he began to see himself as Archie, a kind of fake who, as Archie says, can be warm and smiling and feel nothing. "It's all tricks," Olivier told writer Jack Kroll once. It's not an uncommon feeling. It wasn't all tricks, of course, and as we see in Archie's final version of the song that ran through the film, "Why Should I Care?" he had finally reached the part of himself that makes a truly great artist, like the woman he heard sing the spiritual. Olivier, of course, hit those heights many times.

England is pronounced as a "dying country" in the beginning of the film, which sets up the metaphor of Archie as a symbol of the country. I'm not British - it's for those who lived during that time period in 1960 to comment on it, and they have. There are some brilliant reviews on the board covering that subject.

"Why Should I Care?" Archie sings. I don't have an answer. But if anyone could make me care, it was always Lord Laurence Olivier, be he the ruined man in "Carrie," the beautiful Heathcliff in "Wuthering Heights," James Tyrone on stage in "Long Day's Journey," or Max de Winter in "Rebecca." An amazing legacy, one in a million - don't miss him as Archie Rice in "The Entertainer."


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