Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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After Gentleman Frank Deegan is shot while robbing a stage, he take refuge in Martha's barn. He then takes Tess and Martha hostage. Sam arrives back in town and is told that Deegan is on the lose. He...
Luke Perry and Simon Kane run a stagecoach line in the Old West, where they come across a wide variety of killers, robbers, and ladies in distress. They are accompanied by Simon's young son... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart.Written by
J.E. McKillop <email@example.com>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
In 1966, Four Star Productions syndicated four of its half-hour Western series under the title of "The Westerners." They were "The Black Saddle," "Johnny Ringo," "Law of the Plainsman," and "The Westerner." The series had a new opening credits sequence featuring Michael Ansara, Peter Breck, Don Durant, and Brian Keith. Keenan Wynn appeared in new opening and closing host segments. The original closing credits were retained. See more »
One of a herd of Western series, but with two distinguishing features
1959-60 may have been the TV year in which more than one-half of the prime team schedule was taken-up by Westerns. I can't swear to the virtues of this series-- was only 10 at the time-- but two things have stuck in my mind that recommend it. The first, its narrative gimmick: a lawman who was also Native American. Michael Ansara had charisma to burn. The idea deserved good scripts. The chief tug on my memory all these years was its theme-music-- what I remember is distinctive and beautiful-- a stirring anthem, probably not :45 seconds long. After scanning all the retro-recordings of TV music, hoping against all odds that someone would preserve it, I am resigned to whistling from memory. I wonder who composed it?
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