7.3/10
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34 user 12 critic

No Name on the Bullet (1959)

Passed | | Action, Drama, Romance | February 1959 (USA)
When hired killer John Gant rides into Lordsburg, the town's folk become paranoid as each leading citizen has enemies capable of using the services of a professional killer for personal revenge.

Director:

Jack Arnold

Writers:

Gene L. Coon (screenplay), Howard Amacker (story)
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Cast

Cast overview, first billed only:
Audie Murphy ... John Gant
Charles Drake ... Luke Canfield
Joan Evans ... Anne Benson
Virginia Grey ... Roseanne Fraden
Warren Stevens ... Lou Fraden
R.G. Armstrong ... Asa Canfield
Willis Bouchey ... Buck Hastings
Edgar Stehli Edgar Stehli ... Judge Benson
Simon Scott Simon Scott ... Reeger
Karl Swenson ... Stricker
Whit Bissell ... Pierce
Charles Watts Charles Watts ... Sid
John Alderson John Alderson ... Chaffee
Jerry Paris ... Harold Miller
Russ Bender ... Storekeeper
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Storyline

Cool, cultured John Gant rides into Lordsburg. Gant is a professional killer, and although no one knows who he is there to kill, they are all worried. Everyone has enemies, and maybe Gant is in town for them. While they wait for him to make his move, paranoia starts taking over... Written by Ken Yousten <kyousten@bev.net>

Plot Summary | Add Synopsis

Taglines:

Everyone in Town Had a Guilty Secret That Marked Him for Death! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

February 1959 (USA) See more »

Also Known As:

Stranger from Nowhere See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Warren Stevens played the alien "Rojan" in the original Star Trek series episode "By any other name" See more »

Quotes

John Gant: Judges interest me. They have the power of life and death. So do physicians.
See more »

Connections

Referenced in 77 Sunset Strip: Penthouse on Skid Row (1962) See more »

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User Reviews

 
He could be as innocent as a baby, but the things that are happening here are still his fault.
11 October 2008 | by SpikeopathSee all my reviews

John Gant is a hired assassin, whenever he rides into a town the whole townsfolk wonder who it is who is on his list. John Gant is a very shrewed assassin for he never gets arrested because he never draws first, he psychologically gets under his targets skins forcing them to shoot first, and John Gant always has witnesses. Today, John Gant has rode into Lordsburg, and from today things will never be the same again...

In CinemaScope and Eastman Color

Directed by Jack Arnold, we open with a vision of sprawling hills and a vast landscape (DOP: Harold Lipstein), a man handsomely attired in pristine black clothing trots past on his shiny black horse, he gathers pace and gallops off over the hills, we next see him trotting into Lordsburg, elegance and grace oozing from his pores. This is John Gant, also known as Audie Murphy, and for me we are introduced to one of the greatest Western characters outside of the critics favoured lists of usual suspects.

Audie Murphy had his critics, he himself hardly went out of his way to embrace stardom and pander to the ink scribblers, but here as Gant is a performance of icy cold wonderment that in my opinion proves any doubters wrong. Gant rides into Lordsburg and his mere presence sends the town into panic, friends and associates implode with suspicion whilst Gant just calmly floats amongst them with little leers and low speaking pearls of wisdom. As Gant forms a weird sort of friendship with Charles Drake's Dr. Luke Canfield, the picture gains some much needed heart, and once the finale arrives it helps to close the picture on a hugely rewarding note.

The film reminded me very much of a Twilight Zone episode called The Monsters Are Due On Maple Street, it's a great story to work from {courtesy of Howard Amacker}, because it's morally suspicious and it has characters always on the brink of breaking the law through the sheer worry of their sins and dubious intentions coming back to get them. My only real complaints are that the film is far to short, not sure if it was down to budget or acting restrictions? But clocking in at just 77 minutes I personally feel that another 15 minutes was a must to fully flesh out the finale, and sadly the exterior filming of the gorgeous locale is sparse, which is most galling after the attention grabbing opening shots. However, the film still works a treat and comes highly recommended to even those who don't like Westerns. 8/10


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