In 1940 Col. Dufort arrives in Timbuktu with his wife to take over the French garrison. This garrison is threatened by a Tuareg uprising supposedly inspired by Mohamet Adjani -- a holy man ... See full summary »
Yvonne De Carlo,
Clay Douglas an American, comes to Britain, to find out the truth behind his brothers death during a commando operation in occupied France. After tracking down the surviving members of the ... See full summary »
Alan Eaton is a Korean War veteran and ex-POW who returns to the USA after his release from captivity. Back in Washington, DC he tries to re-adjust to civilian life by returning to work. He co-owns a public relations-opinion research firm together with his business partner Clark Baker. However, he is shocked to learn that Clark Baker died in a hit-and-run accident the previous year. Also, Clark Baker, who had power-of-attorney during Alan's absence, had sold the firm to one of the employees, Jim McGinnis. Alan explains to Jim McGinnis that Clark Baker only had power of attorney to run the business, not to sell it without Alan's consent. McGinnis implies that Alan was duly informed ahead of time via letters sent to him while he was a POW in Korea. Feigning compassion, McGinnis offers Alan a job because their clients respect and trust the Eaton name. Alan Eaton asks for time to consider the offer. He then visits his old friend, Senator Walder, who voices his suspicions regarding the ...Written by
Attempts to turn its jingoistic scenario into a suspense drama...and nearly succeeds!
Dana Andrews is quite congenial playing a former Army Captain, returning to Washington, D.C. after being held two years in a Chinese prison camp, discovering that the public relations firm he and his business partner founded has been sold to a reprehensible lout who peddles in prejudice and poison. Plainly-drawn, low-budget melodrama with then-topical undercurrents of Communism and anti-semitism does have an interesting group of characters, but it could stand a bit of levity to lighten its load. There's an early scene in a plane with Andrews and a talkative scientist that is never fully explained, and the one main female character (a secretary played by the curious Marilee Earle) is disheartening--she's there to lend a hand and feign a romance, yet the role itself is an unsurprising cliché. Director Jacques Tourneur is crafty at times, but mostly heavy-handed; he sets up a heated finale, but then muffs it with square-jawed heroics and patriotic gestures. More mystery and gloss was required. **1/2 from ****
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