Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Aspen Pictures, owned by Mark Robson and Robert Wise, bought two stories from James A. Michener's anthology "Return to Paradise." After Robson filmed one of the stories as "Return to Paradise" with Gary Cooper, they ran out of funding and had to sell the rights to the other story, "Until They Sail" to Burt Lancaster. Some years later the it ended up with Charles Schnee at MGM. By then Wise was at Metro and requested to film the property. See more »
The movie takes place in New Zealand. Toward the end of the movie, one of the sisters and her son are flying away. The registration on the aircraft is SU-AAC. "SU" is the registration letters for aircraft certified in Egypt. See more »
Excellent ensemble acting with an intelligent script
War starts, the New Zealand men go off to fight, and four sisters are left to cope with that- and the arrival of the American fleet! It sounds like a recipe for the most hackneyed sort of wartime romance weepie, but this film is certainly not that.
First, this is an ensemble movie, where no one 'star' dominates. From Paul Newman (probably the best-remembered name now) on, we are given a whole clutch of accomplished and finely nuanced performances.
The cinematography is superbly judged: this is one of those lovingly observed pictures where a shot of 'two people talking' is rarely just that; the backgrounds and choice of shots are a delight. This must be viewed in the original format, not 'scanned'!
The script is intelligent and daring. Sexual topics such as promiscuity and having children outside marriage are dealt with in a surprisingly straightforward and sophisticated manner for a 1950s movie. And, it must be said, they are dealt with in a human and sympathetic fashion. There is no hint of the lurid sensationalism nor of the tight-arsed repressiveness that films of this era often display when dealing with such subject matter.
In a situation where the old well-patterned expectations have gone by the board, the sisters attempt to keep track of their universe with a wall-map of the world on which they plot where their men are now. The scope of this exercise is enlarged to include the dead, and then American 'friends'. Ultimately, the map is screwed up and thrown on the fire as the old world- including the old moral universe- goes up in smoke.
The only jarring note is the plot device allowing the film to open and close with a murder trial. One of the sisters has married a 'local'- clearly marked as unsuitable by his working class tones and chest hair! The relationship ends in worse than tears. This element of the film has all the sophistication of an Enid Blyton 'Famous Five' childrens book, and sits uneasily in such an- otherwise- intelligent performance!
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