A Commander receives a citation for an attack on General Erwin Rommel's headquarters, which is actually undeserved, as the Commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
In El Paso, lawyer and ex-Confederate captain Clay Fletcher forms a vigilante group to bring law and order to a town where the judge is a drunk, the sheriff is corrupt and the town is run by a crooked landowner.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the Younger brothers, and his attempt to lead a peaceful life after the disastrous attempt to rob the bank at Northfield, Minn.Written by
Although Nicholas Ray was initially reluctant to remake the 1939 film, he became intrigued by the idea of casting Elvis Presley--whom he thought had the potential to be "a new James Dean"--as Jesse James. After he had signed his contract, it became quickly clear that the studio had always intended to cast Robert Wagner, who was under contract and being built by the studio into a star. However, Ray did have his way in casting Hope Lange as James's wife; the studio had wanted Joanne Woodward. See more »
In the beginning of the movie the sheriff and his men wait to attack the James gang do to heavy rain. Once the rain stops the posse proceeds by crossing a bridge over a completely dry,
dusty stream bed and dirt road. See more »
Jesse... They drove my son to it. The Yankees drove him to it. He's a good boy. You're his wife, Zee, you know how kind he is.
Try and sleep, Mother Samuel.
You know, once, he brought home a bird that had fallen from its nest. His father was alive then, and little Jesse wouldn't be comforted until Reverend James gave the little bird a funeral service. Jesse always was a gentle boy.
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All UK versions are cut by 9 secs to remove stock footage of the same fatal cliff-top jump that resulted in the death of a horse in the 1939 Jesse James. See more »
Although the ending of this Nicholas Ray movie is very similar to Andrew Dominik's much, much finer version, (or should that be vice-versa?), there is no comparison between the two films. This is mostly a dull affair with very little of the psychological insights into troubled personalities that have distinguished Ray's best films; all the more mystifying considering the complexity of the central character.
Perhaps it was the weak casting. Robert Wagner is pretty as in pretty vacant and is totally out of his depth. (Contrast his performance with that of another 'pretty boy', Brad Pitt, in the most recent version). As his brother Frank, Jeffrey Hunter has little to do but growl on the sidelines while Hope Lange is hardly even a pretty presence as Jesse's wife. Ray also misses the opportunity to use the widescreen for dramatic effect so the movie is handsome without engaging us in any way. No one's finest hour.
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