Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country ...
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An alien agent from the distant planet Davana is sent to Earth via a high-tech matter transporter. There, he terrorizes Southern California in an attempt to acquire blood for his dying race, the result of a devastating nuclear war.
The monster, which looks like a snarling "Creature from the Black Lagoon," invades a sleepy seaside town. The lighthouse keeper, newly widowed and estranged from the town folk, has been ... See full summary »
Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country challenging his domination. Another brain, Val, works with March's future wife Sally to defeat Gor. Val explains that Gor will be vulnerable when he is forced to leave March at intervals to re-energize. Gor's vulnerable spot, the Fissure of Orlando, is described in a note left by Sally in Steve's lab.Written by
Dan is reading "Space Science Fiction" Vol.1 No.2 August 1957 issue. Part of the cover showing the word "Space" is ripped off. Boris Karloff can be seen on the back cover. See more »
When the Russian diplomat arrives for the meeting, he places his hat on the outer desk. As he enters the conference room, the hat falls to the floor. See more »
Checks out alright. I don't understand it. Hey, Dan, it doesn't make any sense.
I said it doesn't make any sense. The Geiger counter's been going on and off all morning. And the nucleometer checks right along with it.
Oh, you talk like a man with rocks in your head. Radioactivity's a constant thing. Either it's there...
[the Geiger counter goes off]
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This film gets off to a decent start. I like films set in the desert. And the acting of Robert Fuller is adequate. But too soon, we leave the desert, Fuller leaves the movie (to save his career no doubt). And we're left with a dimwitted plot, campy looking aliens that wouldn't scare a bird, and John Agar's "acting".
All suspense is lost early on when we see the evil alien, an uninspired floating ball with two sleepy eyes. And of course the ball speaks English, convenient for the film's characters --- and the intended audience. Near the end of the film, the alien makes a little speech (in English of course), rambling on about Caesar, Napoleon, and Hitler. Seems our alien is both talkative and well educated.
The film's plot is painfully anthropomorphic. The idea of a criminal "brain" hungry for power is hardly alien; it's all too human. And John Agar's performance has to be seen to be believed. His facial expression right before he kills the sheriff is true camp. The abrupt ending of the film gives the impression that it ended simply because the producer ran out of money.
This campy, 1950's sci-fi flick is a lot of fun. I get more laughs out of it than I do out of some contemporary comedies.
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