When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone.Written by
The settlers' ship Bellerophon is named after a Greek hero. According to mythology, King Proteus sent him to King Iobates to deliver a sealed message and he didn't know what it said. The message instructed King Iobates to kill the bearer of the message, although that ultimately did not happen. The spaceship Bellerophon carried Morbius who, although he didn't know it, was destined to cause the death of the settlers and destruction of the ship. Thus, like the hero, the ship carried the instrument of its own doom. See more »
There is nothing wrong with the ship landing around 83 degrees north latitude in the "deep Arctic" of the planet. This might be the habitable zone of the planet depending on its distance to its sun, it's angle of rotation, its geography. For example, the only place "habitable" on our own Mercury or Venue might be the "deep Arctic" zones of the planets. See more »
For the 1959 cinema re-release of MGM's Forbidden Planet (1956) to obtain the classification rating of (A) SUITABLE ONLY FOR ADULTS - CHILDREN UNDER 16 NOT ADMITTED the Australia Film Censorship Board ordered the elimination of "all shots of alleged nuclear monster" i.e. Australia Film Censorship Board insisted that the Id Monster is never seen, but you could see the footprints and the bending of the steps on the spaceship. The animated sequence of Forbidden Planet, showing the attack by the red colored "Id Monster", were created by the veteran animator Joshua Meador, who was lent out to MGM by Walt Disney Pictures. During the attack on the spaceship, the now visible Id monster (only the outline of the Id Monster is seen, colored red) as it tries to go through the electronic fence on the perimeter (the force field), and also because the Id Monster has been caught in the crewman's high-energy blaster beams. See more »
While not re-treading the comments or plot summaries of other IMDB users, I thought I'd say that this particular film does get better as it gets older. While ground-breaking on it's release in 1956, the visual "look" of this film has grown over the 46 years since it first arrived.
True to the pulp sci-fi of its day, the art direction has mellowed into an archetype that has not been bettered to this date. MGM put a surprising amount of money into the production values (similar to, but better than Universal's "This Island Earth"). This is a living "cover art". The indelible images of the saucer passing through space, landing on Altair-4, Robby, and the disintegrating tiger linger long in collective memory.
This must be seen on the big screen if possible, and in the original Cinemascope format. I've been lucky enough to see it (it was re-released in the 70's on a double bill with George Pal's "The Time Machine"), and the power it carries in scenes such as the Krell machines and the attack of the Id Monster are truly impressive. Watching it on a television just doesn't come close, although the "letterboxed" version is better than nothing. I am a poster collector, and even the advertising material for this film is exceptional. I see the one-sheet for it every day in my living room, and have never grown tired of it. "AMAZING!" is what is says, and for once they got it right. A true classic of it's type.
64 of 70 people found this review helpful.
Was this review helpful to you?
| Report this