A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
Pennsylvania, 1859. Railroad tycoon Brennan (Alan Hale) is muscling in on oil-drilling farmers, led by Peter Cortland (Randolph Scott). Cortland must try to save their oil business, while also saving his marriage to Sally (Irene Dunne).
Londoners Arnold and Evelyn Boult had high hopes for the life of their son, Edward. His relatively short life ended up being one of privilege but irresponsibility. His life ended at age 23 ... See full summary »
The story of a murder trial where a Mexican boy is accused of the death of a Caucasian girl. The two-faced attorney (Arthur Kennedy) who takes the boy's case is only interested in defending him so he can exploit his Communist-backed organization for their own underhanded purposes. He and his organization bring in an idealistic law professor (Glenn Ford) who agrees to represent the boy in court.Written by
Inscription on David Blake's cigarette lighter: "UBI INJURIA, IBI REMEDIUM" - Where there's a wrong, there's a remedy. See more »
Though the film was made in 1955, it takes place in 1947. However, in the scene where Abbe, Barney and David are driving through town after their first visit with Angel in prison, most of the cars visible in the background are 1950s or late 40s models, including brand new 1955 cars seen in an automobile dealership window. See more »
You agree with Barney, don't you? I'll win because I have such an honest, confused face the jury's gonna feel sorry for me.
Because you believe in Angel, and in this...
[looks down at his cigarette lighter, which has an inscription in Latin]
"UBI INJURIA, IBI REMEDIUM" - Where there's a wrong, there's a remedy. You really do believe in that, don't you?
Sure I believe in it. I couldn't teach...
I couldn't practice law if I didn't.
Lawyers hang it on their office walls ...
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Also shown in computer colorized version. See more »
This great film will come as a great shock to anyone who thinks of 1950s America in Leave It To Beaver terms, and that's a very good thing. An exaggerated but not misleading portrait of a hugely racist and sexist nation at its worst, with a feel-good conclusion that rings false in light of what we've just seen and generally know to be true about the US at the time. The performances are good for the most part, but the things these people say and do may give you the creeps. The scene in front of the city hall when the local white men are about to use nitro to blow up the front door is absolutely frightening. The 50s will never seem the same again, and that's a very good thing. This movie should be part of history courses.
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