An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period ...
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An immigrant Nevada rancher brings a woman from Italy to be his second wife but when he neglects her, she becomes involved with his trusted assistant. Nominated for 3 Academy Awards including Best Actor.
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
Acclaimed poet Robert Frost reminisces on his career. He is also seen giving lectures at Amherst and Sarah Lawrence Colleges, in daily life at his rural Vermont home, and receiving the Congressional Gold Medal from President Kennedy.
John F. Kennedy,
Lyndon B. Johnson
An Italian-American neighborhood in Louisiana is disturbed when truck driver Rosario Delle Rose is killed by police while smuggling. His buxom widow Serafina miscarries, then over a period of years draws more and more into herself, trying to force her lovely teenaged daughter Rosa to do likewise. On one eventful day, Rose finally breaks away; Serafina learns of Rosario's affair with another woman; and a new carefree, handsome Italian truck driver enters her life...Written by
Rod Crawford <firstname.lastname@example.org>
worth watching for the outstanding acting of Magnani
I recommend this film solely to witness Magnani's performance, which was an utterly beautiful piece of acting, indeed. Although I did not feel pulled into the plot very much, I did sympathize with Magnani's character because she played her part with such heart. I must admit that I was disappointed by Lancaster's overacting, and the minor actors also were not at all impressive. Also, I do not feel inspired to read the play itself because I don't think that reading it could compare to watching Magnani's riveting performance through which Magnani's soul itself seems to bleed.
Although I cannot think of another film with such an engaging actress, the beginning tone and ambiance of this film reminded me of other Tennessee Williams works. The atmosphere is open, naked, and almost frightening; Williams's plays always introduce characters that are very human--weak, lonely, unsettled--and deeply passionate. He doesn't take care to hide the frightening and desperate side of people even though we may not want to see that. He makes no exception in this piece, and this sense of humanity is most effectively portrayed through Magnani.
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