On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in ...
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A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Jed Potter looks back on a love triangle conducted over the course of years and between musical numbers. Dancer Jed loves showgirl Mary, who loves compulsive nightclub-opener Johnny, who ... See full summary »
Wealthy Jervis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and ... See full summary »
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... See full summary »
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
On a trip to France, millionaire Jervis Pendleton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in New England. She writes him letters, which he doesn't read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.Written by
John Oswalt <email@example.com>
There was no soundtrack album of the Johnny Mercer score issued in 1955, but Fred Astaire and Ray Anthony compensated with commercial discs. Mr. Astaire's 45 on RCA Victor found him singing a ballad version of the Oscar-nominated "Something's Gotta Give," along with the peppy "Sluefoot," which in the film served as a vocal for The Pied Pipers, backed by the Anthony band. Fred's next recording of "Something's Gotta Give," taken at a brisker tempo, turned up on an LP called "Fred Astaire Today," released by Kapp in 1959. Returning to 1955, Ray Anthony and His Orchestra had in the marketplace a Capitol revamp of four songs from the picture: "Sluefoot," "Something's Gotta Give," "Dream" and "Thunderbird" (the last cut an instrumental composed by Mr. Anthony and George Williams). See more »
When Julie draws Daddy Long Legs on the chalk board, the arms are drawn at a downward angle. In the distant shots, the arms are noticeably more horizontal. See more »
A few thoughts about DLL (as another reviewer termed it)
In Feb. 2013 TCM showed an excellent transfer of the film, full Cinemascope aspect ratio, relatively sharp image, better color than what I remember from viewings years ago. The full vibrant color in the dream dance sequences especially added to my enjoyment of the film; really noticed the wonderful set design/artwork. The color schemes in Caron's dream ballet seemed to predict those common in the psychedelic 1960's.
A couple of people here say Fred Astaire's wife died during filming; I'm fairly sure that is incorrect. She died in 1953, I believe, while he was filming The Bandwagon at MGM. I remember reading that Arthur Freed walked with the grieving Astaire to calm him down when he got the news. Also it's doubtful that DLL would have been filmed in 1953 and release held up til 1955. And the reason Astaire was not in White Christmas (he was to have had the part played by Danny Kaye), filmed and released in 1954, was because he was still grieving from his wife's death in 1953.
I'm sure some will disagree, but I carefully watched Caron dancing with Astaire, and saw that she was one of his weaker partners. Ballroom and tap were not her usual style and she lacks the facility and panash of Rogers, Charisse, Hayworth. I've never been impressed with Caron's dancing anyway, but she was a very talented actress, both comic and dramatic, and was always charming on screen. And Astaire is so good in their partner dances that you have to really pay attention to see she is not anywhere near his caliber in that sort of dancing.
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