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Suddenly (1954)

Unrated | | Crime, Drama, Film-Noir | 17 September 1954 (USA)
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0:39 | Trailer
In the city of Suddenly, three gangsters trap the Benson family in their own house, on the top of a hill nearby the railroad station, with the intention of killing the president of the USA.

Director:

Lewis Allen

Writer:

Richard Sale (written for the screen by)
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Cast

Complete credited cast:
Frank Sinatra ... John Baron
Sterling Hayden ... Sheriff Tod Shaw
James Gleason ... Pop Benson
Nancy Gates ... Ellen Benson
Kim Charney Kim Charney ... Peter Benson III - 'Pidge'
Willis Bouchey ... Dan Carney
Paul Frees ... Benny Conklin
Christopher Dark Christopher Dark ... Bart Wheeler
James O'Hara ... Jud Hobson (as James Lilburn)
Kem Dibbs Kem Dibbs ... Wilson (as Ken Dibbs)
Clark Howat ... Haggerty
Charles Smith ... Bebop
Paul Wexler ... Slim Adams
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Storyline

The tranquility of a small town is marred only by sheriff Tod Shaw's unsuccessful courtship of widow Ellen Benson, a pacifist who can't abide guns and those who use them. But violence descends on Ellen's household willy-nilly when the U.S. President passes through town... and slightly psycho hired assassin John Baron finds the Benson home ideal for an ambush. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

Sinatra- ...sears the screen ...as a snarling mad-dog killer! See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

17 September 1954 (USA) See more »

Also Known As:

Suddenly See more »

Filming Locations:

Santa Clarita, California, USA See more »

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Box Office

Gross USA:

$1,400,000
See more on IMDbPro »

Company Credits

Production Co:

Libra Productions Inc. See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.75 : 1
See full technical specs »
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Did You Know?

Trivia

Legendary voice actor Paul Frees,who plays one of the three assassins, is also heard as a TV announcer. See more »

Goofs

After a member of the assassination squad was shocked and fired the rifle multitude of times, the agents would immediately kill the stopping of the train. Also makes Sinatra an idiot for even trying, except he was a psychopath and just wanted to do the job. See more »

Quotes

[first lines]
First Driver: Officer, can you tell me the way to Three Rivers?
Slim Adams: About two miles to the first main intersection, then turn left. It's about sixty miles.
First Driver: Thanks, what town is this?
Slim Adams: Suddenly.
First Driver: Suddenly what?
Slim Adams: No no, that's the name.
First Driver: [laughs] That's a funny name for a town.
Slim Adams: Uh huh, hangover from the old days; that's the way things used to happen here, suddenly.
First Driver: I see.
[...]
See more »

Alternate Versions

Also available in a computer colorized version. See more »

Connections

Referenced in Sinatra, a Song for the FBI (2007) See more »

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User Reviews

Cold War Context
10 September 2009 | by dougdoepkeSee all my reviews

The movie kicked up something of a fuss at the time (1954). After all, Ike Eisenhower was not only a popular president but a war hero as well. It's probably no stretch to say that, yes indeed, everybody liked Ike. So this was a pretty nervy production for the conformist 1950's. Then too, it's likely no accident that the movie was produced independently of the Hollywood studios. I doubt any studio, big or little, would have okay'ed such touchy subject matter as killing a president. But the 70 minutes does amount to an effective little suspenser, as assassins and hostages crowd into a living room perch awaiting the president's sitting-duck arrival, while the tension mounts.

The movie came along during a low point of Sinatra's career before his 1954 Oscar reversed the slump. That's probably one reason he would take on such a risky role as the thoroughly dis-likable assassin. And visually, especially, Sinatra's's quite good. As a result, when Baron says he would be nothing without his gun, Sinatra's scrawny non-Hollywood appearance confirms the fact. Just as importantly, he gives the would-be assassin the right kind of nervous edge.

There's a fairly obvious theme working through the screenplay— namely that despite pacifist wishes, violence does have a moral place in life. As events in the movie turn out, the only way to stop Baron's immoral use of violence is with morally sanctioned counter-violence. The screenplay makes the point by showing us that had Pidge gone along with Mom's anti-gun wishes, the assassination plot would have succeeded. So fortunately-- the movie implies-- when push comes to shove, Pidge follows the men in his life and the plot fails.

For Cold War audiences of the day, the political lesson is pretty clear—only guns and muscle will stop Soviet plans to destroy "The American Way". Of course, the film never identifies the authors of the plot, but I'm sure audiences came to the obvious political conclusion. It's probably also telling that guns are identified with manly men and only a frightened woman, the mother, opposes them. Mom's doubts may be understandable given her husband's violent death. However, by ignoring Mom's wishes, no matter how understandable, Pidge comes to represent a future in which gun violence and armed national defense will continue to be morally necessary. Beneath the surface, it appears, lies some pretty heavy symbolism.

Subtexts aside, Suddenly remains a gripping film even this many years later. That's pretty darn good for a cheap production using basically one set for most of the action. But, I expect it's really the touchy subject matter that continues to excite viewers and separate the film from more routine suspensers of the day.


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