The and the history of a cute , simple, little house that used to live on a little hill on the countryside and how different times and ages passed by it from the classic time to the modern ... See full summary »
A delivery stork mistakenly delivers Lambert, a lion cub, to a flock of sheep. The mother won't let the stork take him back, so Lambert is raised as a sheep, but he just doesn't fit in. He ... See full summary »
A young boy dreams of being a cowboy. After he gets the basics, as outlined in the title song, he's attacked by Indians. He runs out of bullets and manages to lasso them. He smokes the ... See full summary »
It's a peaceful day in a national forest...until hunting season begins at which point all the bears hide out in a cave but one bear, Humphrey, doesn't make it. He hides out in a cabin and, ... See full summary »
An old beetle (though he looks more like Jiminy Cricket) living next door to Donald Duck explains to his young charge why Donald's garden isn't the paradise it appears to be, by recounting ... See full summary »
Looking for a little fame, a particularly SOCIAL LION gets transferred from Africa to the wilds of New York City.
Undeservedly obscure, this little film is packed with sly wit and good humor. Produced in the limited animation style, its depiction of the Lion's encounters with unimpressed New Yorkers, their traffic and the subway is very funny. The very brief look at the native bearers in the African safari at the beginning of the film is a little bit racist.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
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