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Tokyo Story (1953)

Tôkyô monogatari (original title)
Not Rated | | Drama | 13 March 1972 (USA)
An old couple visit their children and grandchildren in the city; but the children have little time for them.

Director:

Yasujirô Ozu

Writers:

Kôgo Noda (scenario), Yasujirô Ozu (scenario)
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Cast

Cast overview, first billed only:
Chishû Ryû ... Shukichi Hirayama
Chieko Higashiyama ... Tomi Hirayama
Setsuko Hara ... Noriko Hirayama
Haruko Sugimura ... Shige Kaneko
Sô Yamamura ... Koichi Hirayama
Kuniko Miyake ... Fumiko Hirayama - his wife
Kyôko Kagawa ... Kyôko Hirayama
Eijirô Tôno ... Sanpei Numata
Nobuo Nakamura ... Kurazo Kaneko
Shirô Ôsaka Shirô Ôsaka ... Keizo Hirayama
Hisao Toake Hisao Toake ... Osamu Hattori
Teruko Nagaoka Teruko Nagaoka ... Yone Hattori
Mutsuko Sakura Mutsuko Sakura ... Oden-ya no onna
Toyo Takahashi ... Rinka no saikun (as Toyoko Takahashi)
Tôru Abe Tôru Abe ... Tetsudou-shokuin
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Storyline

Elderly couple Shukishi and Tomi Hirayama live in the small coastal village of Onomichi, Japan with their youngest daughter, schoolteacher Kyoko Hirayama. Their other three surviving adult children, who they have not seen in quite some time, live either in Tokyo or Osaka. As such, Shukishi and Tomi make the unilateral decision to have an extended visit in Tokyo with their children, pediatrician Koichi Hirayama and beautician Shige Kaneko, and their respective families (which includes two grandchildren). In transit, they make an unexpected stop in Osaka and stay with their other son, Keiso Hirayama. All of their children treat the visit more as an obligation than a want, each trying to figure out what to do with their parents while they continue on with their own daily lives. At one point, they even decide to ship their parents off to an inexpensive resort at Atami Hot Springs rather than spend time with them. The only offspring who makes a concerted effort on this trip is Noriko ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

In the daily lives of ordinary people, a sense of deep affection wells up. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Japan

Language:

Japanese | English

Release Date:

13 March 1972 (USA) See more »

Also Known As:

Tokyo Story See more »

Filming Locations:

Osaka, Japan See more »

Company Credits

Production Co:

Shochiku See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The original negative was lost soon after the film was completed, due to a fire at the vault of the lab in Yokohama city. The film had to be released using prints made from a dupe protective negative. See more »

Goofs

At timer mark 1:45:46, when the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, you see the shadow of the boom-mic just drop into the scene and back out again, just over the sons head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist. See more »

Quotes

Shukichi Hirayama: [talking to Tomi about leaving the hotel early] Anyway, this place is meant for the younger generation.
See more »

Connections

Referenced in Century of Cinema: 100 Years of Japanese Cinema (1995) See more »

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User Reviews

 
FANTASTIC
27 October 1999 | by Stroheim-3See all my reviews

I need to say this: THIS MOVIE IS ABSOLUTELY FANTASTIC!!! Sure it starts off slowly, but the fact of the matter is the film is a great story of a family and the alienation associated with aging. This is the kind of movie that will make you reflect upon your own family and how you treat them.

I had never seen an Ozu film before, but now I feel as if I must see them all. His use of cinematic space is incredible. He breaks all sorts of conventions with his cinematography such as violating the axis of action. This gives the viewer the sense of a large, open, unrestricted world.

Going with this realism, the characters seem real; not for a moment did I see the people on the screen as actors. They were the family, and you as the viewer feels what they feel. Part of this comes from the use of head-on-shots such that the characters are speaking TO you.

It is a fantastic, moving piece of work and arguably one of the best films ever made.


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