At Maria Vargas' funeral, several people recall who she was and the impact she had on them. Harry Dawes was a not very successful writer/director when he and movie producer Kirk Edwards ... See full summary »
Joseph L. Mankiewicz
A quartet of international crooks (Peterson, O'Hara, Ross and Ravello) are stranded in Italy whilst their steamer is being repaired. With them are the an English couple, the Dannreuthers. The 6 are headed for Africa, presumably to sell vacuum cleaners but all is not as it seems. They are joined by others who apparently have similar designs.Written by
Ed Stephan <firstname.lastname@example.org>
John Huston was star/producer Humphrey Bogart's first choice to direct. However, Huston had some scheduling conflicts - he was due to make a movie with Katharine Hepburn (which was never made, as Hepburn graciously stepped aside to help out Huston), not to mention that he had to finish his then-current project Moulin Rouge (1952). Nicholas Ray, who Bogart had worked with twice before, was considered to direct in case Huston could not finish in time. See more »
When Ahmed, the Arab Inquisitor first appears on screen, he is wearing a woman's mock turtleneck blouse with a mesh applique, outlined with satin ribbon and a bow. See more »
Trouble with England, it's all pomp and no circumstance. You're very wise to get out of it, escape, while you can.
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The original American release version was truncated and had scenes moved around, making a mess of the story line. The uncut version--released overseas by Romulus--was finally restored in the U.S. by Sony in 2016. See more »
I've tried, and tried, and tried, and have now given up trying to figure out the appeal "Beat the Devil" has to a certain clique of film fans. There's no denying its surface appeal. Bogie, Huston, Capote, Lorre, Jones, et al, but I'd have to agree with Bogart who called it a "dog." It's not exciting, it's not funny, and it's not appealing to the eye. The shoddy production values (at least for a film with a cast, director, and writer of such high calibre) were apparent to many critics of the time, so the video and DVD releases probably look no worse than the film did in 1953. The fact that the copyright holders (Bogart's company co-produced) let this fall into the public domain may be a clue to what they thought of it.
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