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The Wages of Fear (1953)

Le salaire de la peur (original title)
Not Rated | | Adventure, Drama, Thriller | 16 February 1955 (USA)
In a decrepit South American village, four men are hired to transport an urgent nitroglycerine shipment without the equipment that would make it safe.

Writers:

Georges Arnaud (novel), Henri-Georges Clouzot (adaptation) (as H.G. Clouzot) | 1 more credit »
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Top Rated Movies #195 | Won 1 BAFTA Film Award. Another 5 wins. See more awards »

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Cast

Complete credited cast:
Yves Montand ... Mario
Charles Vanel ... M. Jo
Folco Lulli ... Luigi
Peter van Eyck ... Bimba (as Peter Van Eyck)
Véra Clouzot ... Linda (as Vera Clouzot)
William Tubbs William Tubbs ... Bill O'Brien
Darío Moreno ... Hernandez (as Dario Moreno)
Jo Dest Jo Dest ... Smerloff
Antonio Centa ... Camp Chief (as Centa)
Luis De Lima Luis De Lima ... Bernardo
Grégoire Gromoff Grégoire Gromoff
Joseph Palau-Fabre Joseph Palau-Fabre
Faustini Faustini
Seguna Seguna
Darling Légitimus Darling Légitimus ... (as Miss Darling)
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Storyline

In the South American jungle supplies of nitroglycerin are needed at a remote oil field. The oil company pays four men to deliver the supplies in two trucks. A tense rivalry develops between the two sets of drivers and on the rough remote roads the slightest jolt can result in death. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Pictured in Life Magazine as Picture of the Week (original USA/Canada posters) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French | English | Spanish | German | Italian | Russian

Release Date:

16 February 1955 (USA) See more »

Also Known As:

The Wages of Fear See more »

Filming Locations:

Poulx, Gard, France See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut) | (director's cut) (2017 restoration)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Final film of William Tubbs. See more »

Goofs

When Jo first arrives in town, his cab stops in and next to muddy puddles, but in the next shot while he gets out, his feet land on dry ground. See more »

Quotes

Mario: wherever there's oil there's americans.
See more »

Alternate Versions

The film was cut for U.S. distribution in 1954, in part due to scenes that denounced crooked U.S. business interests in Latin America. The Criterion Collection laserdisc restored the film to its uncut version with 21 minutes of footage removed from other versions of the film. See more »

Connections

Version of Violent Road (1958) See more »

Soundtracks

Valentine
Music by Henri Christiné
Whistled by Yves Montand and Charles Vanel
See more »

Frequently Asked Questions

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User Reviews

An unforgettable bit of existentialism on exposed celluloid
3 July 2001 | by frank_olthoffSee all my reviews

Whoever it may be to rightly claim that he invented the action thriller genre (Méliès, I suppose), Henri-Georges Clouzot's "Le salaire de la peur" is an indispensable milestone on the exciting route to the best films of that kind in the 70's, 80's and nowadays. In its tenseness, as symbolized by the danger of explosion of the lorries' loads, it has hardly been surpassed.

The plot is perfectly worked out from start to end, the leading players act in some of their best parts ever, the (almost) absence of music supports the brutal realism and the consequent choice of authentic outdoor settings contributed a lot to the film's deserved success. Historically, it ranges between neorealismo and nouvelle vague, and yet it is its pure action and suspense that make it worth watching for younger audiences who wouldn't go in for just the artistic way. - Only flaw I can see is the curious, rather artificial change in Vanel's character which has no comprehensible motivation, at least for me whenever I see it.

Apart from that, Clouzot's wife Véra (also well-known from his "Les diaboliques") plays to the "most breathtaking angles" gallery when she bows down to scrub the floor of Dario Moreno's gin joint. It's a man's world after all and there are male perspectives on human survival only. Well, it's existentialism, mates. Altogether, the black and white photography is gripping. The gun scene between Lulli and Vanel is one of the best montages in film history, and there is more excellent editing in "Salaire" (including the finale) that completely fits the hot atmosphere.


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