I Confess (1953) - News Poster



I Confess

Compromised from the outset by the studio (they even replaced his leading lady Anita Bjork with Anne Baxter), this has never been considered one of Hitchcock’s most effective films. However, Hitchcockian themes of Catholic guilt and his moody use of the Quebec locations still make it required viewing for his fans and it’s full of impressive filmmaking.

The post I Confess appeared first on Trailers From Hell.
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'The Benefit of the Doubt' ('Une part d’ombre'): Film Review

In Belgian writer-director Samuel Tilman’s compelling feature debut, a seemingly innocent man finds his life upended when he’s accused of committing murder. It’s a plot we’ve seen a few billion times before, most memorably in classics by Fritz Lang (Beyond a Reasonable Doubt) and Alfred Hitchcock (The Wrong Man, I Confess) where being blamed for a crime can be just as bad as having done the deed itself.

Indeed, The Benefit of the Doubt (Une part d’ombre) tips its hat to those masters both in terms of its (rather generic) title, as well as in a scenario ...
See full article at The Hollywood Reporter »

QFest Continues Tuesday with Gospel Of Eureka, Montgomery Clift, and Knife+Heart

Come get your Q on! The 12th Annual QFest St. Louis, presented by Cinema St. Louis,runs April 28-May 2, 2019, at the Tivoli Theatre (6350 Delmar) .The St. Louis-based Lgbtq film festival, QFest will present an eclectic slate of 28 films. The participating filmmakers represent a wide variety of voices in contemporary queer world cinema. The mission of the film festival is to use the art of contemporary gay cinema to spotlight the lives of Lgbtq people and to celebrate queer culture. The full schedule can be found Here

The 12th Annual QFest St. Louis continues Tuesday April 30th. Here’s Tuesday’s schedule:

5:00pm April 30th: The Gospel Of Eureka – This is a Free screening

(though tickets are required from box office)

Eureka Springs, Ark., is a one-of-a-kind oasis in the Ozarks where Christian piety rubs shoulders with a thriving and open queer community. Known for its natural springs, the town
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Montgomery Clift movies: 12 greatest films, ranked worst to best, include ‘A Place in the Sun,’ ‘From Here to Eternity’

  • Gold Derby
Montgomery Clift movies: 12 greatest films, ranked worst to best, include ‘A Place in the Sun,’ ‘From Here to Eternity’
Montgomery Clift would’ve celebrated his 98th birthday on October 17, 2018. The iconic actor gave only a small number of onscreen performances before his untimely death in 1966 at the age of 45. Yet several of those titles remain classics. In honor of his birthday, let’s take a look back at 12 of his greatest films, ranked worst to best.

A product of the Actor’s Studio, where he studied under Lee Strasberg and Elia Kazan, Clift had a successful Broadway career before moving to Hollywood. Among his notable stage credits was the role of Henry in Thornton Wilder’s Pulitzer Prize-winning “The Skin of Our Teeth.” Like James Dean and Marlon Brando, he was one of the original method actors, calling upon past memories and experiences to inform his performances.

He came to the attention of movie audiences in 1948 with a pair of releases: Howard Hawks‘ western “Red River” and Fred Zinnemann‘s WWII drama “The Search.
See full article at Gold Derby »

The thing about evil by Anne-Katrin Titze

Roberto Andò on Connie Nielsen's character Claire: "I based her on someone like J.K. Rowling but also on others who have become hugely wealthy through their writing" Photo: Anne-Katrin Titze

At his hotel on Central Park South, director Roberto Andò discussed with me the connections to Alfred Hitchcock's I Confess and Torn Curtain in his latest film, which character was inspired by Jk Rowling, the majestic location where he filmed, and how "evil serves no purpose."

The Confessions (Le Confessioni), co-written by Angelo Pasquini, shot by Maurizio Calvesi, and starring Toni Servillo (Paolo Sorrentino's Oscar-winning The Great Beauty and Andò's Viva La Libertà) has an exceptional ensemble cast including Connie Nielsen (Patty Jenkins's Wonder Woman), Marie-Josée Croze (John Michael McDonagh's Calvary), Daniel Auteuil (Michael Haneke's Caché), Moritz Bleibtreu (Tom Tykwer's Run Lola Run), Lambert Wilson (Jérôme Salle's L'Odyssée), Pierfrancesco Favino (Roger Michell
See full article at eyeforfilm.co.uk »

The Lodger (1927)

Hitchcock’s first self-professed ‘Hitch’ picture is still a winner. Many of his recurring themes are present, and some of his visual fluidity – in this finely tuned commercial ‘shock’ movie with witty visual tricks from Hitchcock’s own background as an art director. And hey, he secured a real box office name to star as the mysterious maybe-slayer, ‘The Avenger.’

The Lodger: A Story of the London Fog


The Criterion Collection 885

1927 / B&W + Color tints / 1:33 Silent Ap / 91 min. / available through The Criterion Collection / Street Date June 27, 2017 / 39.95

Starring: Ivor Novello, June Tripp, Marie Ault, Arthur Chesney, Malcolm Keen.

Cinematography: Gaetano di Ventimiglia

Film Editor + titles: Ivor Montagu

Assistant director: Alma Reville

Written by Eliot Stannard from the book by Marie Belloc Lowndes

Produced by Michael Balcon and Carlyle Blackwell

Directed by Alfred Hitchcock

Alfred Hitchcock became the most notable English film director for all the right reasons — he was talented and creative,
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The Yakuza

The Yakuza


Warner Archive Collection

1975 / Color / 2:40 widescreen / 112 & 123 min. / Street Date February 14, 2017 / available through the WBshop / 21.99

Starring Robert Mitchum, Takakura Ken, Brian Keith, Eiji Okada, Richard Jordan, Keiko Kishi, James Shigeta, Herb Edelman.

Cinematography: Kozo Okazaki, Duke Callaghan

Production Design: Stephen Grimes

Art Direction: Yoshiyuki Ishida

Film Editor: Don Guidice, Thomas Stanford

Original Music: Dave Grusin

Written by: Leonard Schrader, Paul Schrader, Robert Towne

Produced by: Michael Hamilburg, Sydney Pollack, Koji Shundo

Directed by Sydney Pollack

The Warner Archive Collection is on a roll with a 2017 schedule that has so far released one much-desired library Blu-ray per week. Coming shortly are Vincente Minnelli’s Bells are Ringing, Billy Wilder’s Love in the Afternoon Ken Russell’s The Boy Friend and Val Guest’s When Dinosaurs Ruled the Earth, and that only takes us through February. First up is a piercing action drama from 1975.

There are favorite movies around Savant central,
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The Wrong Man

Alfred Hitchcock's true-life saga of a man wrongly accused may be Hitchcock's most troublesome movie -- all the parts work, but does it even begin to come together? Henry Fonda is the 'ordinary victim of fate' and an excellent Vera Miles is haunting as the wife who responds to the guilt and stress by withdrawing from reality. The Wrong Man Blu-ray Warner Archive Collection 1956 / B&W / 1:85 widescreen / 105 min. / Street Date January 26, 2016 / available through the WBshop / 21.99 Starring Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone, John Heldabrand, Doreen Lang, Norma Connolly, Lola D'Annunzio, Robert Essen, Dayton Lummis, Charles Cooper, Esther Minciotti, Laurinda Barrett, Nehemiah Persoff. Cinematography Robert Burks Art Direction Paul Sylbert Film Editor George Tomasini Original Music Bernard Herrmann Written by Maxwell Anderson and Angus MacPhail Produced and Directed by Alfred Hitchcock

Reviewed by Glenn Erickson

The Wrong Man sees Alfred Hitchcock at the end of
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I Confess

What's it all about, Alfie? The master of suspense goes in an unusual direction with this murder mystery with a Catholic background. And foreground. Actually, it's a regular guidebook for proper priest deportment, and it's so complex that we wonder if Hitchcock himself had a full grip on it. Montgomery Clift is extremely good atop a top-rank cast that includes Anne Baxter and Karl Malden. Rated less exciting by audiences, this is really one of Hitch's best. I Confess Blu-ray Warner Archive Collection 1953 / B&W / 1:37 flat Academy / 94 min. / Street Date February 16, 2016 / available through the WBshop / 17.95 Starring Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne, Roger Dann, Dolly Haas, Charles Andre, O.E. Hasse. Cinematography Robert Burks Art Direction Edward S. Haworth Film Editor Rudi Fehr Original Music Dimitri Tiomkin Written by George Tabori, William Archibald from a play by Paul Anthelme Produced and Directed by Alfred Hitchcock

Reviewed by Glenn Erickson
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Good and Bad War-Themed Movies on Veterans Day on TCM

Veterans Day movies on TCM: From 'The Sullivans' to 'Patton' (photo: George C. Scott in 'Patton') This evening, Turner Classic Movies is presenting five war or war-related films in celebration of Veterans Day. For those outside the United States, Veterans Day is not to be confused with Memorial Day, which takes place in late May. (Scroll down to check out TCM's Veterans Day movie schedule.) It's good to be aware that in the last century alone, the U.S. has been involved in more than a dozen armed conflicts, from World War I to the invasion of Iraq, not including direct or indirect military interventions in countries as disparate as Iran, Guatemala, and Chile. As to be expected in a society that reveres people in uniform, American war movies have almost invariably glorified American soldiers even in those rare instances when they have dared to criticize the military establishment.
See full article at Alt Film Guide »

Video of the Day: See Every Alfred Hitchcock Cameo

Any Hitchcock fan has no doubt looked carefully while watching one of his movies in order to spot his infamous cameos. Hitchcock’s earlier cameos are especially hard to catch, and so Youtube user Morgan T. Rhys put together this video compiling every cameo Alfred Hitchcock ever made.

Hitchcock made a total of 39 self-referential cameos in his films over a 50 year period. Four of his films featured two cameo appearances (The Lodger: A Story of the London Fog UK), Suspicion, Rope, and Under Capricorn). Two recurring themes featured Hitchcock carrying a musical instrument, and using public transportation.

The films are as follows:

The Lodger (1927), Easy Virtue (1928), Blackmail (1929),Murder! (1930), The Man Who Knew Too Much (1934), The 39 Steps (1935),Sabotage (1936), Young and Innocent (1937), The Lady Vanishes (1938), Rebecca(1940), Foreign Correspondent (1940), Mr. & Mrs. Smith (1941), Suspicion (1941),Saboteur (1942), Shadow of a Doubt (1943), Lifeboat (1944), Spellbound (1945),Notorious (1946), The Paradine Case (1947), Rope (1948), Under Capricorn (1949),Stage Fright (1950), Strangers on a Train
See full article at SoundOnSight »

Watch: 25-Minute Documentary On The Underappreciated Montgomery Clift

In discussions regarding the beginnings of onscreen method acting, Montgomery Clift is often unfairly shunted away in favor of Marlon Brando and James Dean. The actor first came to prominence in 1948, courtesy of lead roles in both Fred Zinnemann’s WWII film “The Search” and opposite John Wayne in Howard Hawks’s "Red River." Clift went on to celluloid immortality via films like "From Here To Eternity," "I Confess," "Judgment At Nuremberg" and "A Place In Sun," earning four Oscar nominations along the way. A documentary examining Clift's life and work from the early nineties has surfaced, and is an excellent primer for his exceptional and yet underexamined career. Despite his distaste for "business as usual" in Hollywood and some poor career choices, Clift could very well have been as celebrated as the two famous contemporaries mentioned above. But a near-fatal car crash in 1956...
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‘Le Confessionnal’ a post-modern ode to Hitchcock from Robert Lepage

This year, Robert Lepage was honoured as the recipient of the Glenn Gould Prize awarded for “a unique lifetime contribution that has enriched the human conditions through the arts.” Previous winners include Leonard Cohen, Yo-Yo Ma, Oscar Peterson, and R. Murray Schafer. In association with The Glenn Gould Foundation, Tiff presented a retrospective on his directorial work. One of the most famed working filmmakers in Quebec, Lepage’s influence extends far beyond the screen and he is also one of the foremost directors of the stage. Considered an important figure in the theatrical avant-garde, he brings his multi-media and theatrical approach to the screen to create unique and layered visions of the world.

Back in 1995, Lepage made his feature film debut with Le Confessionnal, a post-modern Hitchcock pastiche set in Quebec. The film is the story of the Lamontagne family and spans two different eras and the issues and crises
See full article at SoundOnSight »

Sundance Review: In 'Calvary,' John Michael McDonagh Tries Sincerity On For Size

  • Indiewire
Sundance Review: In 'Calvary,' John Michael McDonagh Tries Sincerity On For Size
“I think there’s too much talk about sins and not enough talk about virtues," Father James says in director John Michael McDonagh’s second film “Calvary,” an Irish mystery-comedy hybrid. Echoing Montgomery Clift's Father Logan in Alfred Hitchcock's 1953 thriller "I Confess," the vested protagonist exists in a fine tradition. Played with a serious face by sophomore McDonagh collaborator Brendan Gleeson, the virtuous Father James represents a dramatic shift not only from the paradigm of leading men in current cinema; his story also diverges from the pigeonhole dug for the director by the smashing success of McDonagh’s first film "The Guard," which premiered at Sundance in 2011 to great fanfare. The climate following the new movie's premiere in Park City, however, contained a far more subdued tone. While the silence suggested the somber tone of the film disappointed some—perhaps they came for Gleeson to rehash the foul-mouthed
See full article at Indiewire »

Matt Bomer To Play Montgomery Clift

Matt Bomer To Play Montgomery Clift
Fans didn't get their wish to see him dominate 50 Shades Of Grey, so instead Matt Bomer has opted to take on a rather different icon. He'll be playing screen legend Montgomery Clift in an upcoming biopic.Clift started out on Broadway in 1935, and made his screen debut oposite John Wayne in Howard Hawkes' Red River in 1948. By the '50s he was a major Hollywood star, only rivalled by Marlon Brando although he was less prolific. He worked with Alfred Hitchcock on I Confess, and was nominated for an Oscar for From Here To Eternity.His career was cut short in 1956, however, when he was involved in an horrific car accident that left him with a broken jaw and nose, and permanent facial scarring. He continued to work in the likes of John Huston's The Misfits and Stanley Kramer's Judgement At Nuremberg, but never recovered from the crash.
See full article at EmpireOnline »

Hitchcock – review

The latest attempt to bring Alfred Hitchcock's life to the screen paints the Master as a crafty hoodwinker triumphing over drab studio execs

F Scott Fitzgerald claimed that, back in 1920, he'd tried to persuade Dw Griffith that the film industry was a wonderful subject for the cinema. Griffith laughed at the idea, but not for the first time Fitzgerald was proved right. He went on to write a series of stories and a great unfinished novel on Hollywood, and since the silent era there has been no end to the making of movies about movie-making. Particular interest has recently been shown in Alfred Hitchcock, one of only two movie directors whose faces are immediately recognisable to popular audiences the world over. The other, of course, is Hitchcock's fellow working-class Londoner, Charlie Chaplin.

Last summer, Hitchcock's 1958 film Vertigo was voted the greatest film of all time in Sight
See full article at The Guardian - Film News »

This week's new film events

Montgomery Clift | Once Upon A Time In Japan | No & Gael García Bernal | Jane Birkin's Songs Of Serge

Montgomery Clift, London

Despite being one of the most handsome and talented actors ever to grace the screen, Clift is forever associated with tragedy. Partly because of his torment over his sexuality, partly because of the car crash in 1956 that sent his life into a downward spiral, and partly because he didn't make nearly enough movies. In the ones he did, Clift often stole the show, playing anguished, un-macho outsiders in Red River, I Confess, From Here To Eternity and A Place In The Sun. The latter, one of several collaborations with his friend Elizabeth Taylor, goes on extended release as part of this retrospective, which also includes the best of his post-crash movies.

BFI Southbank, SE1, Fri to 14 Feb

Once Upon A Time In Japan, on tour

Japan has made some
See full article at The Guardian - Film News »

Giveaway - Win tickets to the Montgomery Clift season at BFI Southbank

Throughout February, BFI Southbank is presenting a season of films starring American actor Montgomery Clift, including such classics as A Place in the Sun, From Here to Eternity, I Confess, The Misfits and Red River, and to celebrate we're offering three readers the chance to win a pair of tickets to a film of their choosing.

Charismatic and insightful, Montgomery Clift bought a potent sensitivity to his portrayals which make him the most modern of Hollywood legends. He shared the screen with Katherine Hepburn, Marlon Brando and Elizabeth Taylor; was directed by John Huston, Alfred Hitchcock and Vittoria De Sica; and brought to life the writings of Tennessee Williams, Theodore Dreiser and Arthur Miller. A troubled psyche and tragic personal life shortened his career, yet there’s still much to celebrate.

Along with the aforementioned films, the season also includes Freud, The Heiress, Raintree County, The Search, Suddenly, Last Summer,
See full article at Flickeringmyth »

The 9 Hottest Moments of Birthday Boy Montgomery Clift

Ah, gorgeous, tragic, "bisexual" actors of the 1950s. That's a Jeopardy! category I could stand to see more often. Today would've been pioneering "method" actor (like Brando and James Dean) and eternal glamor boy Montgomery Clift's 92nd birthday, and if you think the car accident that disfigured his face in 1956 or his ensuing 10-year spiral of substance abuse completely taints his status as a legendary hottie, I pity you. Clift gave us so much brooding attractiveness that it's possible the entire Twilight series manifested from his ashes. In celebration of the mysterious man and Liz Taylor Bff on his birthday, let's count down his nine hottest moments.

9. Let's just combine all these stoic portraits into one hot item. 

At different angles, Clift's face can resemble anyone from Warren Beatty (center) to Tom Cruise (right). That means his beauty is timeless, but his stony, longing chill remains a one-of-a-kind attribute.
See full article at The Backlot »

My Favourite Hitchcock: I Confess

A forgotten albeit flawed masterpiece, this thriller about a priest accused of murder – bound to keep secret the confession made to him by the real killer – smoulders gloriously

On the surface, it looks as if collaborations between Alfred Hitchcock and Hungarian-born scriptwright George Tabori were doomed to failure. Tabori worked on the scripts for two of Hitch's films: he was replaced on North By Northwest by Ernest Lehman, who came up with the cropduster scene, and was dropped from I Confess after the production company found the ending of his script too shocking.

In 1986, Tabori – widely championed as one of Europe's greatest theatre directors when he died in 2007 – gave an interview with a German newspaper in which he said: "I was never a particular fan of Hitchcock's work." The problem, he explained, was that he had grown up as part of generation of European filmmakers who still had aspirations and ideals about cinema.
See full article at The Guardian - Film News »
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