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The Quiet Man (1952)

A retired American boxer returns to the village of his birth in Ireland, where he finds love.

Director:

John Ford

Writers:

Frank S. Nugent (screenplay), Maurice Walsh (from the story by)
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Won 2 Oscars. Another 8 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Sean Thornton
Maureen O'Hara ... Mary Kate Danaher
Barry Fitzgerald ... Michaleen Oge Flynn
Ward Bond ... Father Peter Lonergan
Victor McLaglen ... Squire 'Red' Will Danaher
Mildred Natwick ... The Widow Sarah Tillane
Francis Ford ... Dan Tobin
Eileen Crowe Eileen Crowe ... Mrs. Elizabeth Playfair
May Craig May Craig ... Fishwoman with Basket at Station
Arthur Shields ... Reverend Cyril Playfair
Charles B. Fitzsimons Charles B. Fitzsimons ... Hugh Forbes (as CHARLES fitzSIMONS)
James O'Hara ... Father Paul (as James Lilburn)
Sean McClory ... Owen Glynn (as Sean McGlory)
Jack MacGowran ... Ignatius Feeney (as Jack McGowran)
Joseph O'Dea Joseph O'Dea ... Molouney - Train Guard
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Storyline

Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean's eye is caught by Mary Kate Danaher, a beautiful but poor maiden, and younger sister of ill-tempered "Red" Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will's pugnacious attempts to keep them apart, form the main plot, with Sean's past as the dark undercurrent. Written by Steve Fenwick <scf@w0x0f.com>

Plot Summary | Plot Synopsis

Taglines:

Action...Excitement...Romance...Fill the Screen !

Genres:

Comedy | Drama | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Irish

Release Date:

14 September 1952 (USA) See more »

Also Known As:

The Quiet Man See more »

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Box Office

Gross USA:

$10,550,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to an interview in the "Los Angeles Times" on October 28, 2000, Maureen O'Hara recounted that she, John Ford and John Wayne made a handshake agreement in 1944 to do the film. When Ford pitched the idea to Hollywood producers, he was told that it was a "silly Irish story that won't make a penny." Wayne had a contract with Republic Pictures and approached studio chief Herbert J. Yates (" . . . a step down for John Ford", he said). He was told by Yates that the script was a silly Irish tale that would make no money. However, Yates would relent if Wayne, Ford and O'Hara together would make a western for Republic, a sure money-maker that would pay for the losses Republic expected to incur on this film. The picture made as a result of the agreement was Rio Grande (1950). See more »

Goofs

When Sean and Mary Kate are caught in the rain, after a lightning strike, Mary Kate mouths something, but we hear no words. See more »

Quotes

[first lines]
Father Peter Lonergan, Narrator: Well, then. Now. I'll begin at the beginnin'. A fine soft day in the spring, it was, when the train pulled into Castletown, three hours late as usual, and himself got off. He didn't have the look of an American tourist at all about him. Not a camera on him; what was worse, not even a fishin' rod.
See more »


Soundtracks

Galway Bay
(1947) (uncredited)
Music and Lyrics by Arthur Colahan
Sung by patrons of the Pub
See more »

Frequently Asked Questions

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User Reviews

wonderful and misinterpreted
17 October 2001 | by ch77See all my reviews

The Quiet Man is a wonderfully layered and at times hilariously ironic portrayal of Ireland as seen by an American.

For those who doubt the film's sense of irony, just re-watch the scene where Sean (John Wayne) paints the door of his cottage. The Vicar's wife remarks on its beauty and in a deadpan manner suggests "only an American would have thought of Emerald Green". Only an American (or a foreigner), is the implication, would think that the picturebook Ireland they are seeing in this film is a realistic portrayal of a lived experience of the country. An Irish person would have painted the door red, she says. It weathers better that way.

The film takes ideas of Irishness and exaggerates them to brilliant and comic effect. The drinking Mickaleen, the patriarchal rule, the idyllic countryside. But beneath the Oirish exterior is a sharp intelligence and a subversion of what the film at first glance seems to suggest.

Beneath the idyllic countryside are elemental forces that are waiting to be disturbed, as we see in the two scenes where Sean and Mary-kate kiss. Storm clouds fill the sky and the wind whips about them. The countryside which previously seemed so welcoming is now tempestuous and threatening. Theirs are passions which do not fit in the comic book world which we have previously seen. Yet they exist.

The portrayal of women, and particularly Sean's treatment of Mary-Kate when he drags her through the field is not so oppressive as it might seem. Remember that it is her who insists on receiving her dowry, who equates her possessions to her worth. It is she who forces Sean to act the way he does and fight Will Danaher. She indoctrinates him into her society by threatening to leave him. She withholds the marital bed. Sean eventually becomes the man she wants him to be.

In short this is a portrayal of Irish, or more importantly, rural life that is very much from the point of view of the outsider. Of the city folk. Yet it always acknowledges that and has great fun playing with its stereotypes. Its funny, its romantic, it appeals to the part of us that yearns to live a simple life away from the complex world, much as we know that life does not exist. Enjoy it!


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