When Cochise bands together with Geronimo and other Indian tribes, Major Colton abandons his fort, heading towards Fort Sheridan, through Apache Pass. The only thing in his way are the Indians he used to call his friends.
It's 1876 and all the Indians are at peace except the Comanches lead by Black Cloud. When Black Cloud wipes out a town, only six soldiers are left and they head for the nearest fort. In the desert they are reinforced by members of a stagecoach and find some water at a deserted mission. Pinned down by Black Cloud they send an Indian boy who was Black Cloud's prisoner on to the fort while they try to bargain with Black Cloud whom they learn is without water.Written by
Maurice VanAuken <firstname.lastname@example.org>
When Sergeant Trainor goes to talk to Black Cloud and the other Indian leaders, he passes the body of a dead Indian lying with its head towards the Mission walls. While he is talking to the Indian leaders, some Indian warriors collect this body, which is now lying with its head away from the Mission. See more »
I'll tell you when to drink, when to eat, when to sleep, and when to breathe!
Last of the Comanches (AKA: The Sabre and the Arrow) is directed by Andre De Toth and adapted to the screen by Kenneth Gamet. It stars Broderick Crawford, Barbara Hale, Lloyd Bridges, Mickey Shaughnessy, Johnny Stewart, George Matthews and Hugh Sanders. A Technicolor production with cinematography by Charles Lawton Junior and Ray Cory and music by George Duning.
Safe as a bomb shelter Western. A remake of Zoltan Korda/Humphrey Bogart's war movie Sahara from 1943, Last of the Comanches finds Broderick Crawford as the leader of what remains of a massacred cavalry troop. As they make their way across the desert they pick up ragtag group of stagecoach passengers and as water runs low, they must fight for survival against fierce Comanches led by Black Cloud.
In essence it's a survivalist story with some Indian War action dotted around the outskirts of plotting. It's nice and airy, pleasingly performed, easy on the eye with its Technicolor photography, and De Toth once again shows himself to be a good marshall of action scenes. Crawford carries the movie of course, imbuing Sergeant Trainor with fearless bluster that holds the dysfunctional group together. The narrative strength comes from the lack of water, both for the whiteys and the Comanche, where the often forgotten weapons of war, that of food or drink, firmly keeps the story engrossing.
Not as good as Sahara but still a safe recommendation to Western and Brod Crawford fans. 7/10
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