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Carrie (1952)

Approved | | Drama, Romance | 31 October 1952 (Finland)
A young girl from a provincial town learns the bitter reality of a big city and great love.

Director:

William Wyler

Writers:

Theodore Dreiser (novel), Ruth Goetz | 1 more credit »
Reviews
Nominated for 2 Oscars. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Laurence Olivier ... George Hurstwood
Jennifer Jones ... Carrie Meeber
Miriam Hopkins ... Julie Hurstwood
Eddie Albert ... Charles Drouet
Basil Ruysdael ... Mr. Fitzgerald
Ray Teal ... Allen - Bondsman
Barry Kelley ... Slawson
Sara Berner ... Mrs. Oransky
William Reynolds ... George Hurstwood, Jr. (as William Regnolds)
Mary Murphy ... Jessica Hurstwood
Harry Hayden ... O'Brien
Charles Halton ... Factory Foreman
Walter Baldwin ... Mr. Meeber - Carrie's Father
Dorothy Adams ... Mrs. Meeber - Carrie's Mother
Jacqueline deWit ... Carrie's Sister Minnie (as Jacqueline de Witt)
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Storyline

Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and is fired. This is the 1890s. Charles Drouet, a salesman she met on the train, comes to her rescue, invites her to dine at Fitzgerald's where the manager George Hurstwood sends over a bottle of champagne. Stay in Drouet's apartment. He will be on the road 10 days. When she leaves the apartment many months later -- on a train bound for New York -- her traveling companion is Hurstwood. Why is he in such a hurry? Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

31 October 1952 (Finland) See more »

Also Known As:

Destino de dos vidas See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Final movie of Elmo Lincoln (Minor Role). See more »

Quotes

George Hurstwood: I've got to eat or I'll die.
Unidentified Vagrant: Who are you talking to, me or God?
See more »

Alternate Versions

The 2004 DVD version contain the deleted "flophouse" scene never seen by the audience in the US. This sequence was removed at the film release due to the political state of affairs in the US during this era. Chapter 16 contains that scene. See more »

Connections

Featured in Through the Eyes of a Killer (1992) See more »

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User Reviews

 
Magnificent film featuring Laurence Olivier's best film performance.
16 August 2001 | by David-240See all my reviews

This is a superb film, directed with great style by William Wyler. A tough film for romantics, it's about how following your heart will not always lead to living "happily ever after". A very mature film about becoming middle-aged but still yearning for romance - and a very uncompromising film in which love and forgiveness are sometimes just not enough. An unusual film to come out of Hollywood in the Fifties, it now emerges as one of the finest American films of that period.

Jennifer Jones, Eddie Albert and Miriam Hopkins all deliver top-notch performances - subtle, believable, multi-dimensional and real. Hopkins remains one of the most under-rated of all Hollywood stars - her reputation sadly damaged by her real-life feud with Bette Davis. But she was a brilliant actress. Jones looks stunning, and portrays her character's development from naivety to worldliness with intelligence and strength. Albert is likeable, but also quite menacing, as her salesman lover.

But towering above all is the great Laurence Olivier, in what I venture to say is his best screen performance. As the ageing restauranter who finds true love too late, he gives an unbearably moving performance. His astonishing physical transformations match perfectly his character's downward fortunes - but there is also a complete truth to his emotion here. One wonders how much he was drawing on his own tragic marriage to Vivien Leigh to find that truth.

This is a ten star film.


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