Andre Noblet, a 21-year-old French artist falls madly in love with Christine, the mother of two children. He tells Chistine he will tell all to her husband and demand her freedom. Christine...
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Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. ... See full summary »
Andre Noblet, a 21-year-old French artist falls madly in love with Christine, the mother of two children. He tells Chistine he will tell all to her husband and demand her freedom. Christine learns that her husband has been carrying on a romance of his own and they have a meeting. By the time Andre shows up, they have reconciled. He next moves on to Minouche, a divorcée, and takes her to a ski resort, where he breaks his leg on the first day and this hampers his love making. They meet another couple, Evelyne and her aged escort, Gatson Lebridel, and the couples end up exchanging partners. Time passes and Andre has now cultivated an attachment with Denise Aubusson, a widow and patron of the arts and artists, and Andre soon replaces the musician in her life. Denise has in her employ, Alice, a reformed thief, who reveals to Andre that Denise is a whole lot more than slightly older than he is. Andre is now an unattached man and when he learns that 17-year-old Catherine Michauld, a ...Written by
Les Adams <firstname.lastname@example.org>
I have enjoyed many Christian-Jaque films, among them La chartreuse de Parme, Les disparus de Saint-Agil, Fanfan la Tulipe. Coming to Adorables creatures, I expected to find a capable director who handles actors well, but not a master like Renoir or Carne. The three segments shown here are a good display of the talents of Edwige Feuillere, Danielle Darrieux, Martine Carol (who would go on to play Lola Montes in Ophuls's masterpiece), Renee Faure and Daniel Gelin as the boy-toy.
The best story is that of rich woman Feuillere and her servant Faure with whom she is carrying on a sort of sado-masochistic relationship. Blackmail and resentment are in the forefront here, and the acting really crackles. The young Antonella Lualdi has a poorly conceived part as an impetuous girl who we don't take much interest in.
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