Ellen McNulty loses her hamburger joint and goes to see her son, who marries a socialite at the same time. Due to her modest background and a case of mistaken identity, Ellen poses as the newlyweds' cook.
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.
When he learns that a gangster has taken over his nightclub and murdered his partner, returning WW2 hero Joe Miracle steals the money from the club's safe and hides in a settlement home, while the mob is on his tail.
Gene Tierney and Ray Milland play the Sheridans, a married couple unable to have a biological child. They visit an adoption agency to make inquiries and start the ball rolling. Then, they ... See full summary »
An adventuresome young man goes off to find himself and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
Ellen McNulty leaves her New Jersey hamburger stand and heads west to pay a surprise visit to her son and his new bride. When Ellen arrives, her daughter-in-law mistakes her for the maid she has hired for a big party they are throwing. Rather than cause any embarrassment, Ellen goes along with the charade, which leads to many complications.Written by
Daniel Bubbeo <email@example.com>
Thelma Ritter as down-on-her-luck Ellen McNulty shines in the role of a mother-in-law mistaken for a maid. Ellen McNulty is a woman everyone would want to have on her side, but woe betide anyone who tries to fool her. Thelma gets the best lines, but all parts are well-written and the film's pacing is superb.
The always reliable, always theatrical, Miriam Hopkins, hams it up as a superficial socialite disappointed in her daughter's selection of the down-to-earth Val McNulty, an up-and- coming corporate man. When a newlywed couple and two mothers occupy the same apartment, watch out!
Part of the pleasure of watching a black and white film from the early fifties is the setting. The outfits, cars, decor (check out the apartment's wallpaper: just amazing in its boldness!) add to the film's substance.
The romantic resolutions at the end of the film are satisfying, and make sense, not always a feature of light romantic comedies.
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