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A Letter to Three Wives (1949)

Not Rated | | Drama, Romance | 3 February 1949 (USA)
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2:42 | Trailer
A letter is addressed to three wives from their "best friend" Addie Ross, announcing that she is running away with one of their husbands...but she does not say which one.

Writers:

Vera Caspary (adaptation), John Klempner (Cosmopolitan Magazine novel) | 1 more credit »
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Won 2 Oscars. Another 3 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
Jeanne Crain ... Deborah Bishop
Linda Darnell ... Lora Mae Hollingsway
Ann Sothern ... Rita Phipps
Kirk Douglas ... George Phipps
Paul Douglas ... Porter Hollingsway
Barbara Lawrence ... Babe Finney
Jeffrey Lynn ... Brad Bishop
Connie Gilchrist ... Ruby Finney
Florence Bates ... Mrs. Manleigh
Hobart Cavanaugh ... Mr. Manleigh
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Storyline

Lora May Hollingsway, who grew up next to the wrong side of the tracks, married her boss who thinks she is just a gold digger. Rita Phipps makes as much money writing radio scripts at night as her school teacher husband does. Deborah Bishop looked great in a Navy uniform in WWII but fears she'll never be dressed just right for the Country Club set. These three wives are boarding a boat filled with children going on a picnic when a messenger on a bicycle hands them a letter addressed to all three from Addie who has just left town with one of their husbands. They won't know which one until that night. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

Promise! You won't peek-and-tell... the ending! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

3 February 1949 (USA) See more »

Also Known As:

A Letter to Five Wives See more »

Filming Locations:

Lake Mahopac, New York, USA See more »

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Box Office

Cumulative Worldwide Gross:

$14,768
See more on IMDbPro »

Company Credits

Production Co:

Twentieth Century Fox See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In the novel, there are five, not three wives. Two wives were eventually cut from the movie. Martha (Anne Baxter's character) and her husband locked horns over child-rearing issues while Geraldine (fifth wife) was devoting excessive time and money to her singing career with few results. See more »

Goofs

(at around 20 mins) Brad Bishop and his wife Deborah Bishop are drinking martinis in their bedroom, which are dark colored in the B&W film. Moments later, when Rita Phipps pours two drinks out of the same pitcher, the martinis are light colored. However, when Phipps hands Deborah her drink, she consumes a dark colored drink from her glass. See more »

Quotes

Lora Mae Hollingsway: [amused by Sadie's maid uniform] Sadie Dugan, what are you supposed to be, Baby Snooks?
Sadie: Hiya Lora Mae.
Lora Mae Hollingsway: Get a load of that cap - I can't wait to tell Ma!
Rita Phipps: Lora Mae, would you sit there please?
Porter Hollingsway: Come on, sit down.
Sadie: There's a couple of things I could tell your Ma about you too.
Mrs. Manleigh: This great situation belongs in a true-to-life drama - are you two related?
Lora Mae Hollingsway: No we just had the same governess.
Sadie: [laughing] Ya kill me!
See more »

Connections

Referenced in All About Mankiewicz (1983) See more »

Soundtracks

My Blue Heaven
(uncredited)
Music by Walter Donaldson
Played at the restaurant
See more »

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User Reviews

 
Sharp Satire
1 April 2005 | by gftbiloxiSee all my reviews

Jeanne Crain was a very pretty girl, Ann Sothern was chiefly noted for her comic turns, and Linda Darnell was a memorable beauty--but although all three appeared in popular films none were particularly celebrated for their acting talents until Joseph L. Mankiewicz tapped them for the roles of three society wives in this poison pen letter to both sexes. Wickedly witty in script, and remarkably acid in tone, A LETTER TO THREE WIVES would put every one involved in the film firmly on the Hollywood map.

Three society wives (Crain, Sothern, and Darnell) are committed to hosting a children's picnic on an isolated island--and as the ferry prepares to depart they receive a letter from town femme fatale Addie Ross (never seen but memorably voiced by Celeste Holm.) Addie informs them that she is leaving town forever... but has decided to take one of their husbands along as a memento. And each of the three wives, cut off from the outside world for the day, is left to wonder: when I go home tonight, will my husband still be there? During the day each of the wives recalls scenes from her marriage. Deborah (Craine) arrived in town as a pretty but very awkward farm girl fresh out of the navy and with a wardrobe consisting of a single and very ugly mail-order dress; she has never felt entirely secure. Rita (Sothern) is married to a schoolteacher, and has committed the unpardonable sin of becoming the writer of a popular radio show that brings her more money than her husband will ever earn. And Lora Mae (Darnell) was a beauty born on the wrong side of the tracks who connived her way into a wealthy marriage and now specializes in bickering with her gruff and boorish husband. And always they have been victim to Addie--a woman who "has class," who stings them with competition and evil wit, and who has their husbands eating out of her hand.

Although the construction is artificial, the script is wickedly knowing, painting a truly subversive vision of American marriage and mores of the late 1940s. Of the three leads, Ann Sothern dominates with her spirited "Rita"--but Darnell has the best of the script, a series of manipulations and drop-dead quips and ripostes, and Crain is perfectly cast as the insecure beauty who is as out of place as a dove at a gathering of eagles. The supporting cast, which includes Kirk Douglas, Thelma Ritter, and Connie Gilchrist is remarkably fine as well. And before all is said and done, small town society gets raked over coals.

If A LETTER TO THREE WIVES has a flaw, it is the same flaw that would trouble Mankiewicz's later and even more celebrated ALL ABOUT EVE: the point of view that a woman is ultimately nothing without a man, an idea that tends to limit the scope of the film and at times even belittle its characters. Some viewers may also be disappointed with the film's conclusion, which--although extremely ironic--lacks the sharp bite you might expect. Even so, this is a truly memorable and often very funny film, and one that deserves to be seen more often today than it usually is.

Gary F. Taylor, aka GFT, Amazon Reviewer


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