Macbeth, the Thane of Glamis, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago.
Don Quixote is an unfinished film project produced, written and directed by Orson Welles. Principal photography took place between 1957 and 1969. Test footage was filmed as early as 1955, ... See full summary »
In fog-dripping, barren and sometimes macabre settings, 11th-century Scottish nobleman Macbeth is led by an evil prophecy and his ruthless yet desirable wife to the treasonous act that makes him king. But he does not enjoy his newfound, dearly-won kingship... Restructured, but all the dialogue is Shakespeare's.Written by
Rod Crawford <email@example.com>
In one scene, you see Duncan in a crowd holding a lighted candle. The film cuts to a close up of Duncan and he is holding an unlit candle, the next cut back to Duncan in a crowd again holding a lighted candle. See more »
The 89-minute version, recut by studio executives, and redubbed by Welles and the other actors to cut down on the Scottish accents, also omitted some of the play's most famous lines, e.g. "Double, double, toil and trouble", the whole second half of the "If it were done when 'tis done" speech, the line "I have supp'd full with horrors", some of the "Is this a dagger which I see before me" speech, as well as the entire conversation between Macbeth and the murderers in which he persuades them to kill Banquo. See more »
I got an angry email from a reader upset that I thought Olivier's "Hamlet" to be worthless.
I hold that view because of a personal appreciation of Shakespeare.
What I appreciate of his work is the unique way that his words can weave small cells of images, ambiguous layered and rich. Lovely as well, to tease their way into our souls. These little packages of firework wordimages burst on the tongues we listen with and successively whip a foam that perfectly follows the shape of the larger story.
He does this in different ways: "Tempest," "Ceasar," "Juliet" are all different and different from this play in how he structures this foamnarrative. This is not favorite among the great plays because it is excessively sonorous. I believe this to have something to do with Will's obsessions with word origins and his emphasis on Saxon structures.
Olivier is a typical British actor, someone that sees the words as merely shapes for the mouth and incidentally related to the grand arcs and tensions of the long composition. They are excuses for locution. Such actors disconnect the poetry from the massive stones that pass through the narrative.
This on the other hand is as well conceived as Olivier's Hamlet is mere posturing. It takes the poetry and uses it to build the whole. Welles mucks around with the play, reassigning text, creating new characters and editing heavily, but all to a coherent purpose. His army of cross bearers is something you will never forget.
But he does something else. All the changes, all the special attentions. All the theatrical devices are geared toward the cinematic expression. This isn't just a production by Welles. It was THE production. He'd been doing this for a decade. His theatrical production was the first cinematic play in history, and his work on it (and most of the players) came to Hollywood prepared, which is why we got "Citizen Kane."
This is terrific Shakespeare. This is terrific cinema. To my taste, "Othello" was even better. More layers. More ambiguity. More patina. And highly architectural.
But this. My friends. Shakespeare is special. Don't trust your soul with someone not worthy.
Ted's Evaluation -- 3 of 3: Worth watching.
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