7.5/10
1,115
9 user 15 critic

A Hen in the Wind (1948)

Kaze no naka no mendori (original title)
A man returns from World War II to find his desperate wife had resorted to one night of prostitution to pay for their son's hospital bills.

Director:

Yasujirô Ozu
Reviews
2 wins. See more awards »

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Cast

Credited cast:
Kinuyo Tanaka ... Tokiko Amamiya
Shûji Sano ... Shuichi Amamiya
Chieko Murata Chieko Murata ... Akiko Ida
Chishû Ryû ... Kazuichiro Satake
Rest of cast listed alphabetically:
Hôhi Aoki Hôhi Aoki ... Shoichi
Chiyoko Fumiya Chiyoko Fumiya ... Fusako Onada
Keiko Izumi Keiko Izumi ... Nurse #2
Reiko Minakami Reiko Minakami ... Orie Noma
Kôji Mitsui ... Hideo
Binnosuke Nagao Binnosuke Nagao
Kenzô Nakagawa Kenzô Nakagawa
Sakae Nakayama Sakae Nakayama ... Nurse #3
Fumiko Okamura Fumiko Okamura ... Landlady
Fujiyo Osafune Fujiyo Osafune
Takeshi Sakamoto ... Hikozo Sakai
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Storyline

A man returns from World War II to find his desperate wife had resorted to one night of prostitution to pay for their son's hospital bills.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Japan

Language:

Japanese

Release Date:

17 September 1948 (Japan) See more »

Also Known As:

A Hen in the Wind See more »

Company Credits

Production Co:

Shochiku See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in I Lived, But... (1983) See more »

Soundtracks

Yume awaki Tôkyô
Music by Yûji Koseki
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User Reviews

Domestic violence and the aftermath of war
23 October 1999 | by ButaNiShinjuSee all my reviews

Kaze no Naka no Mendori deals with a very serious social problem of the time -- the return of those away at war. Frequently supposed dead and often delayed by years after the war's end, returning soldiers came back to families that had had to make all manner of compromises and sacrifices related to their absence. Often the returnees found that their wives had re-married, or worse...

This is one such story. Unusual for Ozu in that it depicts actual physical family violence. A bit shocking if you are used to his other films, in which disapproval is often expressed with raised eyebrows and silence.

A good film with fine performances.


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