Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife ...
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Fred, George, Doug and Howie are quickly reaching middle-age. Three of them are married, only Fred is still a bachelor. They want something different than their ordinary marriages, children... See full summary »
Robert will do anything to get the big account that has eluded him. His public relations business makes public angels of rich scoundrels. Jean needs someone to save the paper and she wants ... See full summary »
Olivia de Havilland,
Granting her final request, a Hollywood press agent brings the dead body of an actress, who died after making her first and only film, back to her hometown for burial. To arouse public ... See full summary »
Bob Gordon is staging a new Broadway Show. He gets an offer of money by Lillian, if she can dance in his show. Gordon's old class mate Irene, tries to get the leading role in this show, but Lillian insists in getting this part herself.
Vincent Doane is in the precarious position of trying to close an advertising account with his rich ex-fiancée. Unfortunately she is more interested in him than in business. Vincent's wife Paula gets suspicious and finally decides to do some flirting of her own to make him jealous. Unknown to her, she chooses cigarette tychoon Claude Kimball. In fact, Kimball hits it off well with both of the Doanes. The question is whether or not their marriage can survive all the shenanigans.Written by
Gary Jackson <firstname.lastname@example.org>
"Screen Director's Playhouse" broadcast a 30 minute radio adaptation of the movie on September 23, 1949 with Fred MacMurray reprising his film role. See more »
Early in the movie Fred MacMurray's wife throws his golf bag and clubs off the second floor balcony to the sidewalk. The golf balls landed and rolled away. They normally would have bounced sky-high first instead. See more »
From start to finish this little known throwback to the best mad-cap screwball comedies of the 1930s is guaranteed to tickle the most jaded funny bone. Vincent Doane, played by Fred MacMurray, is a successful advertising executive who has come under severe scrutiny by his wife of five years, Paula, played by the gorgeous Madeleine Carroll, for the simple reason that he has been keeping rather late nights trying to woo a rather wealthy client, a Mr. Fraser, into signing a lucrative contract. The problem is Paula has serious doubts about the veracity of her husband's story, thinking that Mr. Fraser is in reality, well, you guessed it. In order to cover up the real identity of his client--and it really is a client--Vincent goes to great lengths, entangling himself further and further into a hilarious web of lies and misadventures that, in the hands of a master comedian like Fred MacMurray, are simply unforgettable. The give-and-take between MacMurray and Carroll is in the best vein of their previous pairings, and despite the fact that this would be their fifth, and final film together, their marvelous on-screen chemistry shows no indication of flagging.
Screen legend Charles Buddy Rogers plays a somewhat befuddled tobacco tycoon who unwittingly gets caught up in Mrs. Doane's scheme to pay her husband back for his alleged infidelity, and in the process serves as a splendid foil to the frenetic shenanigans of the Doanes. Despite the fact that you just know how the film turns out, the fun, like in all classic screw-ball comedies, is in the getting there. When the dust has finally settled, this reviewer just couldn't help sighing that An Innocent Affair marked the end of one of filmdom's truly great comedic duos.
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