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Bone Bandit (1948)

Pluto awakes to find no bone in his dish. It's off to the buried stash, but Pluto discovers that a gopher has been using the bones to support his tunnels, and doesn't want to part with them... See full summary »

Director:

Charles A. Nichols (as Charles Nichols)

Writers:

Art Scott (story), Sterling Sturtevant (story)

Star:

Pinto Colvig
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Cast

Credited cast:
Pinto Colvig ... Pluto (voice)
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Storyline

Pluto awakes to find no bone in his dish. It's off to the buried stash, but Pluto discovers that a gopher has been using the bones to support his tunnels, and doesn't want to part with them. The gopher takes advantage of a pollen-laden week to which Pluto is allergic to separate dog and bone repeatedly. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

30 April 1948 (USA) See more »

Also Known As:

Der Knochendieb See more »

Company Credits

Production Co:

Walt Disney Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Connections

Featured in Rootin' Tootin' Roundup (1990) See more »

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User Reviews

 
Pluto & Dem Dry Bones
2 December 2002 | by Ron OliverSee all my reviews

A Walt Disney PLUTO Cartoon.

Pluto discovers that the BONE BANDIT who's been stealing his snacks is a feisty garden gopher.

This is another in a lengthy series of rather routine - but enjoyable - cartoons in which Pluto is confronted by a critter much smaller than himself, the difference here being that the gopher is quite bellicose and very willing to get tough with the Pup.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.


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