A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received eighteen Emmy nominations and five wins during its prestigious nine-year run...
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This live series featured adaptations of other works (novels, plays, et cetera) plus original works for the show. It was primarily dramas, but a few musicals also were presented. The show ... See full summary »
Luis Van Rooten,
This live dramatic series featured original stories and adaptations of novels, plays, et cetera during its eight year run. During the first year, the show was sponsored by the Actor's ... See full summary »
An anthology series based in New York City which attracted a high caliber group of actors, often Broadway stars. Stories were both drama and comedies, some original but others adaptions of films and plays.
Based on a popular radio series, each show tells a different reporter's Big Story, a true story selected from newspapers across the United States. Comments from the actual reporter open and... See full summary »
Of the many anthology series, Playhouse 90 is considered the most ambitious with outstanding talent in front of the camera. Attracting top ranked directors and scripts it was often filmed live including the entire first season.
A pinnacle of the Golden Age of Television, "Studio One" presented a wide range of memorable dramas and received eighteen Emmy nominations and five wins during its prestigious nine-year run on CBS. Showcasing some of the greatest talents of the era, this groundbreaking series created an enormous impact, and still remains a treasured part of America's broadcasting history. Embracing the work of some of television's most iconic writers, directors, actors, and technical artists, the Studio One Anthology featured the complete 1954 original television production of "12 Angry Men" and is highlighted by early performances by Charlton Heston, Art Carney, Jack Lemmon, and Leslie Nielsen, as well as teleplays written by Rod Serling and Gore Vidal.
"Studio One" was one of the many excellent anthology series from the golden age of television. It usually featured original hour-long dramas, occasionally adapting famous works or biographical material. Many big-name actors of the period guested on this prestigious series.
This posting relates specifically to Jackie Gleason's appearances on "Studio One". Gleason guest-starred in four episodes, three of which I have seen. "The Show-Off" (1954) is an abridged version of the comedy play by George Kelly (Grace Kelly's uncle). Gleason stars as Aubrey Piper, a blowhard who marries his way into the respectable Fisher family, brings the family to the brink of ruin, and then makes good at the end. Gleason's performance here is a bit too similar to Ralph Kramden, but less sympathetic. It's unfortunate that the ingenue role in "The Show-Off" is named Amy Fisher, as this name now provokes laughs for the wrong reason. (Remember the Long Island Lolita case?)
"Short Cut" (1954) is a stolid drama, starring Gleason in a dead-serious role as a crusading attorney-general who grimly learns that there's no short cut to justice. Gleason's dramatic performance is excellent, but the material is weak. He's abetted by a dull actor named Lin McCarthy and by Priscilla Gillette, a repertory actress who appeared in many episodes of "Studio One".
"The Laugh Maker" (1953) is an intriguing drama about a comedian, starring Jackie Gleason and Art Carney. Gleason plays Jerry Giles (note the same initials), a popular TV comedian who is apparently based on Gleason himself. We never see Giles doing his act, but at one point he appears in costume ... and he's wearing the same outfit Gleason wore on his Admiral TV series as Fenwick Babbitt, one of his early recurring characters who got phased out in favour of the more popular Ralph Kramden. Carney plays a reporter who is assigned to get "the real story" on the beloved comedian Giles. No big surprise: Carney interviews the people who know Giles, and he discovers that the funny man isn't so jolly in private life.
The best performance in "The Laugh Maker" is given by Marian Seldes as Giles's (Gleason's) sister. This is strange casting, as Seldes was broomstick-thin in those days and Gleason was already quite hefty. Seldes and Gleason have no scenes together, which makes the casting a bit more plausible.
Viewers who have seen "The Hustler" or "Gigot" already know that Jackie Gleason was a gifted dramatic actor, but these episodes are a revelation. Gleason's performance in "The Laugh Maker" is superb, but he's let down by a trite script.
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