Tom Cochrane (Leo Penn'), full of dope (cocaine) and covered with blood, is picked up by the police and then questioned by detectives Shannon (Douglas Fowley) and Taylor (Harry Strang), but...
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Jim Fletcher, waking up from a coma, finds he is to be given a court martial for treason and charged with informing on fellow inmates in a Japanese prison camp during WWII. Escaping from ... See full summary »
Tom Cochrane (Leo Penn'), full of dope (cocaine) and covered with blood, is picked up by the police and then questioned by detectives Shannon (Douglas Fowley) and Taylor (Harry Strang), but manages to escape. His girl friend Lois Walter (Teala Loring) , against the wishes of her guardian, Jim Grosset (Charles Arnt), assists Tom and his police-officer brother-in-law Mac McLane (Robert Armstrong) in trying to clear Tom of a possible murder charge. Tom only recalls meeting a man in a bar and going to a party. Tom and Mac find the man, Joe (Elisha Cook Jr.), who takes them to the party scene, the apartment of the Sindells, where they find the body of a murdered girl in the apartment above. The police pick up Mac, while Tom trails Marie (Virginia Dale and Mike (Jack Overman). Joe is murdered for leading Tom to the scene of the crime, and Marie, who had been hired by the killer to get Tom at the apartment when the crime was committed, is choked to death. Tom, following the killer of Marie, ...Written by
Les Adams <email@example.com>
There're some good touches in this Monogram programmer. Director Le Borg uses imagination to lift the material beyond straightforward filming-- (e.g. Elisha Cook in a shadowy doorway blowing cigarette smoke out of both sides of his mouth; the bickering couple in the wrong apartment). The story itself is suspenseful if not exactly novel as Leo Penn (Sean Penn's dad) tries to reconstruct the night of a murder through a drug- induced haze. There're a few holes in the screenplay, but not enough to wreck the story – (e.g. just what is the killer's motivation?).
Penn is a rather unusual screen presence for a leading man, neither physically imposing nor dynamic-- his later career was as a TV director. Nonetheless, with a rather vacant stare, he's perfect for his addled part. Wisely, the script uses the forceful Robert Armstrong as the guy with the drive to unravel the mystery. Can't help but notice in passing that leading lady Loring looks like a slightly less glamorous version of Rita Hayworth. Anyway, if you're a fan of noir, especially of the premise of a guy's trying to maneuver without the handrails of time and place, this 60-minutes should go down pretty well, despite its lowly Monogram origin.
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