Several murders have been committed in a London park and the victims have been savagely clawed about the throat. The police believe that a woman is a killer, and perhaps she is a (she) werewolf. Heiress Phyllis Allenby, fears she is the criminal, based on the family legend of the "Allenby Curse" which was the belief that members of the family at times assumed the form of a wolf. Her aunt's constant reminders to her of the "Allenby Curse" only serves to keep her niece's fears alive.Written by
Les Adams <firstname.lastname@example.org>
Dennis Hoey had been cast as Inspector Lestrade in several "Sherlock Holmes" movies when he made "She-Wolf of London." See more »
The first time Martha Winthrop brings up a glass of milk to Phyllis Allenby, the glass is half full as she walks up the stairs to the bedroom, but after she opens the door and enters the room, the glass is nearly full to the top. See more »
Apart from excellent settings and costumes, not to mention the always reliable pulchritude and charm of June Lockhart, this Val Lewton wannabe is mainly a misfire.
More's the pity too, since it abounds in shadowy night scenes, fog, and much cloak and daggery, including a final act complete with tilted camera angles, and poisoned milk, (a la Hichcock's "Suspicion").
But there is no real grue and no real tension, and what we are left with is a lame, (though slickly produced) thriller whose main interest accrues from its interesting cast and glossy staging.
Still, given the paucity of Victorian melodramas at your local cineplex--you could do much worse.
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