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One More Tomorrow (1946)

Approved | | Comedy, Drama | 1 June 1946 (USA)
Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine ... See full summary »


Peter Godfrey


Charles Hoffman (screenplay), Catherine Turney (screenplay) | 3 more credits »


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Cast overview:
Ann Sheridan ... Christie Sage
Dennis Morgan ... Thomas Rufus 'Tom' Collier III
Jack Carson ... Patrick 'Pat' Regan
Alexis Smith ... Cecelia Henry
Jane Wyman ... Frankie Connors
Reginald Gardiner ... James 'Jim' Aloysius Fisk
John Loder ... Owen Arthur
Marjorie Gateson ... Aunt Edna Collier
Thurston Hall ... Thomas Rufus Collier II
John Abbott ... Joseph Baronova
Marjorie Hoshelle Marjorie Hoshelle ... Illa Baronova
Sig Arno ... Poppa Diaduska


Shiftless playboy Tom Collier lives to jump from party to party--until he meets photographer Christie Sage. Through Christie, Tom takes over the ownership of The Bantam, a liberal magazine which opposes everything his family represents. As Tom and Christie's relationship deepens, love blooms and he proposes to her. Realizing that she could never fit in with Tom's social circle, Christie says no, a decision she later regrets. But Tom isn't left alone for long--scheming gold-digger Cecelia Henry wastes no time in catching Tom on the rebound and forcing him into a disastrous marriage. Written by Daniel Bubbeo

Plot Summary | Add Synopsis


Comedy | Drama


Approved | See all certifications »






Release Date:

1 June 1946 (USA) See more »

Also Known As:

The Animal Kingdom See more »


Box Office


$869,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


"Lux Radio Theater" broadcast a 60-minute CBS Radio adaptation of the movie on June 9, 1947 with Jane Wyman, Dennis Morgan and Alexis Smith reprising their film roles. See more »


[first lines]
James 'Jim' Aloysius Fisk: Not your best effort Mr. Hitchcock.
Patrick Regan: No, kinda morbid ain't it.
Christie Sage: To say the least.
Patrick Regan: Well it's supposed to be a surprise party ma'am.
Christie Sage: Oh. I thought it was a housewarming for Dracula.
James 'Jim' Aloysius Fisk: Well you wanted to come.
See more »


Version of The Animal Kingdom (1932) See more »


One More Tomorrow
Written by Ernesto Lecuona, Edgar De Lange and Josef Myrow
Performed by an unidentified singer
Played often in the score
See more »

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User Reviews

Remake of the infinitely superior THE ANIMAL KINGDOM (1932) suffers the comparison.
11 June 2003 | by a_viewerSee all my reviews

Warner Bros. apparently tried to buy up and/or surpress all existing prints of the zingy pre-code classic THE ANIMAL KINGDOM (1932) when they decided to remake it as ONE MORE TOMORROW (1946). ANd no wonder--this turgid remake definitely suffers the comparison. While adding a bit of the Warner Bros. panache and moving a bit more quickly (the earlier version was more faithful to the original stage play, and thus more talky), ONE MORE TOMORROW takes out all the zing, bite, and--most disturbingly--the very real human grappling with opposite desires--that THE ANIMAL KINGDOM managed to transpose so successfully to the screen from Philip Barry's equally successful play. Barry, the author of such gems as HOLIDAY and THE PHILADELPHIA STORY, seemed fascinated with the moral dilemmas faced by the rich and the not so rich as they struggle to come to terms with who--and what--is the most important guiding principle in their lives. Unfortunately, the production code forced Warner Bros. to temper the life out of Barry's still timely ideas about the perils of "selling out" in love and business. The result is, sadly, a film that plays as a standard Warner Bros. soaper, with little emotional or mental involvement involved. If you're a fan of stars Smith, Morgan, and Sheridan (who all do the best they can with the material), you'll want to see this one. If you're more interested in the idea behind it, or in Philip Barry, check out the infinitely superior THE ANIMAL KINGDOM--an unjustly forgotten precode classic guaranteed to appeal to heart and mind.

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