A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
When Johnny comes home from the navy he finds his wife Helen kissing her substitute boyfriend Eddie, the owner of the Blue Dahlia nightclub. Helen admits her drunkenness caused their son's death. He pulls a gun on her but decides she's not worth it. Later, Helen is found dead and Johnny is the prime suspect.Written by
Ed Stephan <email@example.com>
The pressure of having to finish the screenplay combined with the curve ball of having to write an entirely new ending was too much for Raymond Chandler. He quickly came down with a severe case of writer's block. According to a near-legendary story, screenwriter Raymond Chandler offered to finish the screenplay by working drunk: in exchange for sacrificing his health to produce the requisite pages on time, Chandler was permitted to work at home (a privilege rarely granted to screenwriters) and was provided two chauffeured cars, one to convey the completed pages to the studio and the other for his wife. Chandler turned the script in on time. Many now believe the "drunkenness" was simply a ruse by Chandler to wrangle extraordinary privileges from the desperate studio. See more »
After arriving home, Morrison is asked what he flew, and he says a Liberator. Whilst the Navy did fly two variations of the B-24 Liberator, they were used mainly for anti-sub/anti-ship and reconnaissance work. The later PB4Y-2 version, such as he would have flown towards the end of the war, was called a Privateer, not a Liberator. It also had a crew of eleven, whereas Morrison's crew was only three. The Grumman Avenger was a widely-used Navy bomber that had a crew of three, so it was likely that is what his character had flown. See more »
[sitting with Johnny in a convertible in the hills overlooking Los Angeles]
It takes a lot of lights to make a city, doesn't it?
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This is a superb film noir which although not as famous as some of Bogart's is just as good.
It's the story of a ex-pilot who comes back from the war to find his wife has become a party girl and their son died because of her drunkenness. The same night that he leaves her, she is killed and he becomes the prime suspect.
The plot is quite good with plenty of twists and turns. All the characters are quite believable and the supporting cast does an excellent job - in particular William Bendix. There is also a lot of subtle humor.
This is one of seven outings for Alan Ladd and Veronica Lake. I had seen him in Shane before and he's quite good here. Veronica Lake, who I had heard a lot about, has a small role and she does not play a femme fatale. I'd like to see some more of the Ladd-Lake outings given my impression from this one.
By the way, anyone who says this is a murder-mystery and not a noir doesn't know what they're talking about! The camera-work and lighting are excellent. You have the seedy hotel rooms, most of the filming is night-time and indoors L.A. and Ladd plays the lead who finds himself set-up for the fall. One note of criticism: the confession scene where the killer is confronted didn't really ring true and was overacted.
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