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Spellbound (1945)

A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.

Director:

Alfred Hitchcock

Writers:

Ben Hecht (screen play), John Palmer (suggested by novel: "The House of Dr. Edwardes") (as Francis Bleeding) | 2 more credits »
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Won 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Complete credited cast:
Ingrid Bergman ... Dr. Constance Petersen
Gregory Peck ... John Ballantyne
Michael Chekhov ... Dr. Alexander Brulov
Leo G. Carroll ... Dr. Murchison
Rhonda Fleming ... Mary Carmichael
John Emery ... Dr. Fleurot
Norman Lloyd ... Mr. Garmes
Bill Goodwin ... House Detective
Steven Geray ... Dr. Graff
Donald Curtis ... Harry
Wallace Ford ... Stranger in Hotel Lobby
Art Baker ... Det. Lt. Cooley
Regis Toomey ... Det. Sgt. Gillespie
Paul Harvey ... Dr. Hanish
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Storyline

Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards, but Dr. Edwards starts to show odd aversions and personality traits. It is discovered that he is an impostor, and amnesiac, and may have killed the real Dr. Edwardes. Dr. Petersen is determined to discover the truth through unlocking the secrets held in the impostor's mind, a process which potentially puts her and others' lives at risk. Written by grantss

Plot Summary | Plot Synopsis

Taglines:

The Maddest Love that ever possessed a woman See more »


Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 December 1945 (USA) See more »

Also Known As:

The House of Dr. Edwardes See more »

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Box Office

Budget:

$1,696,377 (estimated)

Gross USA:

$7,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Ontario) | (with overture and exit music)

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Two frames tinted)| Black and White

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The dream sequence was designed by surrealist painter Salvador Dalí, and was originally supposed to run slightly longer. It included a scene in a ballroom with hanging pianos and still figures pretending to dance, followed by John Ballantyne (Gregory Peck) dancing with Dr. Peterson (Ingrid Bergman), who then turns into a statue. In order to create the illusion of a room of great size, little people were used in the background on a scaled-down set, which did not satisfy Sir Alfred Hitchcock or Dali. The sequence was cut from the final movie, due to lack of time. Only part of it was filmed, and even less of it ended up in the released version. See more »

Goofs

The position of Peterson's hands on Edwardes' bedpost changes between shots. See more »

Quotes

[first lines]
Nurse: [offscreen] Miss Carmichael, please. Dr. Petersen is ready for you.
See more »

Crazy Credits

Just before the opening credits, an overture is played. See more »

Alternate Versions

In one of the final scenes, when the gun is fired, two frames of the explosion have been hand tinted in red. These were only present in the premiere's copy, as it was too expensive to do the tinting by hand for the full release. Only a later DVD release and a restored print by the film museum Munich feature the tinting. See more »

Connections

Featured in Alfred Hitchcock: Master of Suspense (2013) See more »

Frequently Asked Questions

See more »

User Reviews

The ease of the analysis is hard to swallow but the tension is well maintained
11 July 2003 | by bob the mooSee all my reviews

The head of the famous Green Manors mental asylum is being replaced by a younger psychiatrist, Dr Edwards. When Edwards arrives he falls for Dr Petersen and she for him. However, after exhibiting some very strange reactions, Edwards is exposed as a fraud - an amnesiac who has deep issues and may or may not have killed the real Edwards prior to taking up his job. Blinded by her love for him, Petersen flees the police with him and protects him as she tries to uncover the truth locked deep within his mind.

As someone who watches way too many films for my own good I probably should have seen Spellbound many years ago. Making up for lost time I watched it recently unsure of even the basic plot. I was surprised by the twist (which I guess for 99% of those watching this, won't be a twist) that Edwards was not who he claimed (thought) to be. The psychoanalysis against the clock scenario was a bit too tidy, but it does work well. I'm not a big believer of this world of therapy so some of the scenes stuck in my throat but it was proof of Hitchcock's ability that he managed to make them tense.

The example that came to my mind was the film Blackjack by John Woo in which Dolph Lungren is scared of the colour white! In that movie I was almost in fits of laughter when Lungren is stopped in his tracks by the bad guys spilling lots of milk everywhere! Here there was no such reaction to Edwards' similar fear. The director really manages to bring out tension and paranoia in every scene – there was nary a moment where I wasn't involved in the film, it was hard to know whether Edwards was a killer, a nut or what! Some of the imagry is a little obvious (doors opening) but most is good and the Dali dream sequences are pretty cool.

Of course part of this is down to Peck playing just perfect. Some of his bug eyed reactions to lines etc would have been comical had he not been able to follow through, but he did. It is to his credit that I was kept guessing as to his intentions right through the film. Bergman is also good but has to carry lines such as `I believe him because I could never feel this way for a man with badness in him' (I'm paraphrasing), the romantic side of the film is harder to carry but she does it well. Support is good, but Leo G Carroll looks very young indeed and took me by surprise when I saw him!

Overall I enjoyed this film even though there was so much that could have been a mess. It is to Hitchcock's credit that he cranks the tension up well and never lets it get silly (as it could easily have been in lesser hands). Some of it is a little too easy (isn't this deep seated stuff meant to take years rather than days?) but this aside it moves swiftly along and is a very interesting way to make a thriller.


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