This Broadway revue is about two love affairs. The romance between the comedienne Joan Mason and Jack Evans of Boston is easily disturbed by Jack's cynical sister, Clara Belle Evans, who is...
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A pilot of a B 29 meets Louise Anderson, a singer in a New York nightclub. He falls in love with her, but he had to leave next day for action in the Pacific. His crew paints her picture on ... See full summary »
On trial for murdering his girlfriend, philandering stockbroker Larry Ballentine takes the stand to claim his innocence and describe the actual, but improbable sounding, sequence of events that led to her death.
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Katie McDermad, who comes from a working class household, is a dedicated surgical nurse, who loves her profession but not the low pay. Her emotions often get the better of her. Jeff ... See full summary »
A young outlaw gets involved with a gang of crooks. When he tells them he is breaking away, they threaten to pin a false murder charge on him. But he is rescued and reformed by his sister, and an undercover agent for the express company.
This Broadway revue is about two love affairs. The romance between the comedienne Joan Mason and Jack Evans of Boston is easily disturbed by Jack's cynical sister, Clara Belle Evans, who is against their relationship. The romance between the wealthy British Jill Martin and Tom McGrath, the assistant to the impresario George White Brodway is a love hate relationship. Gene Krupa and his band keep, together with the virtuoso organist Ethel Smith, both couples dancing a lot.Written by
Life Is Just a Bowl of Cherries
Music Ray Henderson
Lyrics by Lew Brown
Performed by Beverly Wills
Copyright 1931 by DeSylva, Brown & Henderson, Inc.
First introduced in the Broadway show "George White's Scandals, Eleventh Edition" See more »
This typical mid-40s RKO musical is enlivened a bit by Joan Davis' goofy mugging. The plot, of course, only serves to gives people time to take a break between the comedy bits and the musical numbers. We also have a view of Roach silent comedy star, Glen Tryon as George White.
The musical numbers are pretty good, particularly the first one with Gene Krupa, a triumph of choreography and camera-work. Krupa seems a little.... weird in the number, however, like he's on strong drugs and flipping out. Although this is not unheard of in drummers who are not on drugs, it may be significant that Krupa had spent time in jail on a marijuana rap in 1943, and this might have been an attempt to capitalize on his 'bad boy' image.
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