A clumsy, accident-prone taxicab driver, who invented the elastic-glass, risks losing his valuable invention to a group of con-men led by a crooked lawyer but the pretty lady-owner of the Yellow Cab Co. comes to his aid.
Ambrose C. Park (Red Skelton), left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick (James Whitmore), in... See full summary »
Miss Winters is a dancer with the Tommy Dorsey Orchestra and is asked to secretly transport a prototype magnetic mine to Puerto Rico. She thinks that she is working for the US Government, ... See full summary »
Wally Benton, "The Fox," master detective on radio, is about to go with his sweetheart to Niagara Falls in order to get married. Unknown to him, his valet has told a newspaper reporter that Benton is "Constant Reader," someone who has sent information to newspapers about murdered people and where to find their bodies, thus making the police look bad. The police are sure that "Constant Reader" is the murderer himself, since no one else could know all of the details. And so they begin a chase after Benton, a chase which leads to old abandoned warehouses and old abandoned mansions. Wally is being chased not only by the police but also by the real "Constant Reader." Can he save his girl, his assistant, and the reporter and solve the crime before either the villain or the police, who have been told to shoot on sight, kill them all?Written by
Jim Knoppow <email@example.com>
During the struggle on the ship, Jean and Chester have practically freed themselves from the chains as Wally's head is being put in a vice, but in the next shot of the pair, they have more chains around them both. See more »
Wally 'The Fox' Benton:
Creeper, I've taken a liking to you, and I'm gonna give you an opportunity to make money. I'm willin' to pay you two thousand bucks for just a little information. Now, it's nothin' important - it's just how do we get outta here. Now, you don't have to worry about gettin' in trouble with the gang because with that kinda dough you can live the life of Riley, and you'll have nothin' to worry about unless Riley comes home, of course. Tou can go where the days seem like weeks, and the weeks seem ...
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The gags fly thick and fast in this, the last of Skelton's Whistling series for MGM. The pace is so hectic you may have to check your fast-forward. But the first half-hour is near hilarious with the usual Skelton mugging and pratfalls, backed up by experts Rags Ragland and Ann Rutherford, along with clever quips galore, so stay tuned. As usual, the plot amounts to little more than a convenient hat-rack on which to hang Skelton's usual brand of madcap. And what better fare for wartime audiences than a chance to escape the horrors with this slapstick whirlwind. I really did wonder how they would escape the elevator shaft, one of those great moments when you don't know whether to laugh or hide your eyes. And, yes, that is Jean Rogers as the reporter, on a break from Ming the Merciless and his serial effort at conquering the universe and Flash Gordon all in the same breath. There's also a chance to scope out Ebbetts Field and the Brooklyn Dodgers before both were torn down and shipped to LA. All in all, good period fun, even this many years later.
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